A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 197
... once what he had to expect . I once witnessed at Weimar a representation of the Adelphi of Terence , entirely in ancient costume , which , under the direction of Goëthe , furnished us a truly Attic evening . The actors used partial ...
... once what he had to expect . I once witnessed at Weimar a representation of the Adelphi of Terence , entirely in ancient costume , which , under the direction of Goëthe , furnished us a truly Attic evening . The actors used partial ...
Pagina 272
... once to instruct us without any dramatic movement . At the first drawing up of the curtain the spectator's attention is almost unavoidably distracted by external circumstances , his interest has not yet been excited ; and this is ...
... once to instruct us without any dramatic movement . At the first drawing up of the curtain the spectator's attention is almost unavoidably distracted by external circumstances , his interest has not yet been excited ; and this is ...
Pagina 397
... once full grown and mature , and is portrayed as a distempered frenzy . It is a passion whose effects the spectator is more concerned with than with its origin , and which does not produce the catas- trophe , but merely ties the knot of ...
... once full grown and mature , and is portrayed as a distempered frenzy . It is a passion whose effects the spectator is more concerned with than with its origin , and which does not produce the catas- trophe , but merely ties the knot of ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1871 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole