A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina vii
... observed by the Greeks ? -Unity of Place as connected with it .... LECTURE XVIII . Mischief resulting to the French Stage from too narrow Interpreta- tion of the Rules of Unity - Influence of these rules on French Tragedy - Manner of ...
... observed by the Greeks ? -Unity of Place as connected with it .... LECTURE XVIII . Mischief resulting to the French Stage from too narrow Interpreta- tion of the Rules of Unity - Influence of these rules on French Tragedy - Manner of ...
Pagina 223
... observe the subjects which he has bor- rowed from the tragic cycles of the Greeks , such as the Ores- tiad , for ... observed , the scene chosen is for the most part so invisible and indeterminate , that one would fain imagine it is ...
... observe the subjects which he has bor- rowed from the tragic cycles of the Greeks , such as the Ores- tiad , for ... observed , the scene chosen is for the most part so invisible and indeterminate , that one would fain imagine it is ...
Pagina 259
... observed , even in comedy , by the French poets , as well as by all who follow the same system of rules . The scene is not , it is true , changed , but things which do not usually happen in the same place are made to follow each other ...
... observed , even in comedy , by the French poets , as well as by all who follow the same system of rules . The scene is not , it is true , changed , but things which do not usually happen in the same place are made to follow each other ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1871 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole