A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 183
... light play of wit , we are the more strict with him respecting the how by which they are brought about . In the comedies which aim more at delineation of character , the dramatic personages must be skilfully grouped so as to throw light ...
... light play of wit , we are the more strict with him respecting the how by which they are brought about . In the comedies which aim more at delineation of character , the dramatic personages must be skilfully grouped so as to throw light ...
Pagina 185
... light . We possess an involuntary and immediate veneration for truth , and this belongs to the innermost emotions of the moral sense . A malignant lie , which threatens mischievous consequences , fills us with the highest indignation ...
... light . We possess an involuntary and immediate veneration for truth , and this belongs to the innermost emotions of the moral sense . A malignant lie , which threatens mischievous consequences , fills us with the highest indignation ...
Pagina 389
... light touch of Judaism in everything he says or does . We almost fancy we can hear a light whisper of the Jewish accent even in the written words , such as we sometimes still find in the higher classes , notwith- standing their social ...
... light touch of Judaism in everything he says or does . We almost fancy we can hear a light whisper of the Jewish accent even in the written words , such as we sometimes still find in the higher classes , notwith- standing their social ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
Veelvoorkomende woorden en zinsdelen
action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole