A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 91
... foreign descent of the Danaida ; but this he does but assert of them , without allowing the foreign cha- racter to be discovered in their words and discourse . The sentiments , resolutions , and actions of a multitude , and yet ...
... foreign descent of the Danaida ; but this he does but assert of them , without allowing the foreign cha- racter to be discovered in their words and discourse . The sentiments , resolutions , and actions of a multitude , and yet ...
Pagina 200
... foreign manners . the Latin we have an example of a language modelled into poetical expression , altogether after foreign grammatical and metrical forms . This imitation of the Greek was not accom- plished easily and without force : the ...
... foreign manners . the Latin we have an example of a language modelled into poetical expression , altogether after foreign grammatical and metrical forms . This imitation of the Greek was not accom- plished easily and without force : the ...
Pagina 217
... foreign theatres to the fashion of the French ; from the prevailing spirit of criticism , with which negative correctness was everything , and in which France gave the tone to the literature of other countries . The affinity is in both ...
... foreign theatres to the fashion of the French ; from the prevailing spirit of criticism , with which negative correctness was everything , and in which France gave the tone to the literature of other countries . The affinity is in both ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
Veelvoorkomende woorden en zinsdelen
action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole