A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 76
... expression by some trait of manly resistance , calm grandeur , or inherent sweetness , that , with all the most moving truth , the lineaments of beauty shall yet be undefaced . The observation of Winkelmann on this subject is inimitable ...
... expression by some trait of manly resistance , calm grandeur , or inherent sweetness , that , with all the most moving truth , the lineaments of beauty shall yet be undefaced . The observation of Winkelmann on this subject is inimitable ...
Pagina 266
... expression . And yet it is exactly this beauty that is demanded in the style of a French tragedy . No doubt something too is to be ascribed to the quality of their language and versification . The French language is wholly incapable of ...
... expression . And yet it is exactly this beauty that is demanded in the style of a French tragedy . No doubt something too is to be ascribed to the quality of their language and versification . The French language is wholly incapable of ...
Pagina 337
... expression proves , at least , no very keen sense for that dignity and sweetness which in an ideal composition , such as the French Tragedy pretends to be , ought never to be lost sight of , even in the wildest whirlwind of passion . I ...
... expression proves , at least , no very keen sense for that dignity and sweetness which in an ideal composition , such as the French Tragedy pretends to be , ought never to be lost sight of , even in the wildest whirlwind of passion . I ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
Veelvoorkomende woorden en zinsdelen
action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole