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A Course of Lectures on Dramatic Art and Literature
August Wilhelm von Schlegel
Volledige weergave - 1871
A Course of Lectures on Dramatic Art and Literature, Volume 1
August Wilhelm von Schlegel
Volledige weergave - 1840
action actors admiration AEgisthus AEschylus Agamemnon allowed altogether ancient tragedy appears Aristophanes Aristotle Athenian beauty character chorus circumstances Clytemnestra comic writers composition considered Corneille cothurnus critics Danaidae death dignity DIKAiopolis display drama dramatic art effect Electra elevation endeavours Eumenides Euripides excite exhibit expression fable favour feeling French Tragedy frequently give gods Grecian Greek tragedies Greeks hand Hence heroes heroic honour human idea ideal imitation impression invention labours language latter manner masks means Menander merely Metastasio Middle Comedy mind modern MoliŤre moral nature never object observed Old Comedy opera opinion Orestes original painted passion peculiar perfection persons Philoctetes pieces Plautus play poet poetical poetry possess Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style Terence theatre theatrical thing tion tone tragedians tragic poets true truth Unity verse Voltaire whole
Pagina 370 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
Pagina 249 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Pagina 366 - Shakspeare lived in an age extremely susceptible of noble and tender impressions, but which had still enough of the firmness inherited from a vigorous olden time, not to shrink back with dismay from every strong and violent picture. We have lived to see tragedies of which the catastrophe consists in the swoon of an enamoured princess.
Pagina 361 - It not only grasps the diversities of rank, sex, and age, down to the dawnings of infancy ; not only do the king and the beggar, the hero and the pickpocket, the sage and the idiot speak and act with equal truth ; not only does he transport himself to distant ages and foreign nations, and portray in the most accurate manner, with only a few apparent violations of costume, the spirit of the ancient Romans, of the French in their wars with the...
Pagina 363 - ... tame insipidity. Hence, an idea has been formed of simple and natural pathos, which consists in exclamations destitute of imagery, and nowise elevated above every-day life. But energetical passions electrify the whole of the mental powers, and will, consequently, in highly favoured natures, express themselves in an ingenious and figurative manner.
Pagina 359 - In this they altogether mistake the rights of poetry and the nature of the romantic drama, which, for the very reason that it is and ought to be picturesque, requires richer accompaniments and contrasts for its main groups. In all Art and Poetry, but more especially in the romantic, the Fancy lays claims to be considered as an independent mental power governed according to its own laws.
Pagina 434 - And so I was, which plainly signified That I should snarl, and bite, and play the dog. Then, since the heavens have shap'd my body so, Let hell make crook'd my mind to answer it. I have no brother, I am like no brother; And this word 'love,' which greybeards call divine, Be resident in men like one another, And not in me!
Pagina 25 - Hence the poetry of the ancients was the poetry of enjoyment, and ours is that of desire: the former has its foundation in the scene which is present, while the latter hovers betwixt recollection and hope.