King LearYale University Press, 1 okt 2008 - 215 pagina's King Lear, one of Shakespeare's darkest and most savage plays, tells the story of the foolish and Job-like Lear, who divides his kingdom, as he does his affections, according to vanity and whim. Lear's failure as a father engulfs himself and his world in turmoil and tragedy. |
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Pagina xvii
... Night, and indeed others of his plays as well. Although brilliance and Shakespeare regularly walk hand in hand, A.C. Bradley begins his famous lecture on Lear with the following statement: “King Lear has again and again been described ...
... Night, and indeed others of his plays as well. Although brilliance and Shakespeare regularly walk hand in hand, A.C. Bradley begins his famous lecture on Lear with the following statement: “King Lear has again and again been described ...
Pagina xxv
... Night. We do not have to choose among them,or appreciate one less because we appreciate any or all of the others. But Shakespeare's purpose, in the experiment that is the first three acts of Lear,may now have become plainer.I have said ...
... Night. We do not have to choose among them,or appreciate one less because we appreciate any or all of the others. But Shakespeare's purpose, in the experiment that is the first three acts of Lear,may now have become plainer.I have said ...
Pagina 10
... night, By all the operation of the orbs115 From whom we do exist and cease to be, Here I disclaim116 all my paternal care, 110 115 Propinquity117 and property of blood,118 And as a stranger to. 104 called into being,procreated (“fathered ...
... night, By all the operation of the orbs115 From whom we do exist and cease to be, Here I disclaim116 all my paternal care, 110 115 Propinquity117 and property of blood,118 And as a stranger to. 104 called into being,procreated (“fathered ...
Pagina 31
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 34
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
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Albany annotated answer appear Attendant Attendants bear better bring Burgundy comes Cordelia Cornwall daughters dead dear death dost doth Duke Edgar Edmund Elizabethan enter exeunt exit eyes face fall father fear find first follow Fool fortune France further give given Gloucester Gloucester’s gods gone Goneril grace hand hast hath head hear heart hold honor husband i’the keep Kent kind King King Lear Lear Lear’s less live look lord man’s matter means Messenger mind nature never night noble o’the once Oswald person play poor present reason Regan scene seek seems seen sense Servants Shakespeare sister speak speech stage stand sword tell texts thee thine thing thou thought turn University villain wear wish