Shakespeare, Italy, and IntertextualityMichele Marrapodi Manchester University Press, 2004 - 278 pagina's Newly available in paperback, this collection of essays, written by distinguished international scholars, focuses on the structural influence of Italian literature, culture and society at large on Shakespeare's dramatic canon. Exploring recent methodological trends coming from Anglo-American new historicism and cultural materialism and innovative analyses of intertextuality, the volume's four thematic sections deal with 'Theory and practice', 'Culture and tradition', 'Text and ideology' and 'Stage and spectacle'.In their own views and critical perspectives, the individual chapters throw fresh light on the dramatist's pliable technique of dramatic construction and break new ground in the field of influence studies and intertextuality as a whole.A rich bibliography of secondary literature and a detailed index round off the volume. |
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... Tale 227 François Laroque 17 Shakespeare in the bottega : art works , apocrypha , and the stage 239 Giorgio Melchiori 18 Afterword : Italy as intertext 253 Keir Elam Select bibliography of recent publications Index 259 269 List of ...
... Tale 227 François Laroque 17 Shakespeare in the bottega : art works , apocrypha , and the stage 239 Giorgio Melchiori 18 Afterword : Italy as intertext 253 Keir Elam Select bibliography of recent publications Index 259 269 List of ...
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Inhoudsopgave
Seven types of intertextuality | 17 |
English bodies in Italian habits | 37 |
intertextuality in action | 45 |
the crisis of the aristocracy in Troilus | 59 |
13 | 68 |
the novella as mediator between | 107 |
luxury sodomy and miscegenation | 131 |
xenophobia and the erosion of tragedy | 145 |
Julius Caesar in the light | 176 |
Italian sources | 197 |
Shakespeare Middleton | 216 |
Roman art in Romeo and Juliet Antony | 227 |
art works apocrypha and the stage | 239 |
Italy as intertext | 253 |
259 | |
269 | |
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Veelvoorkomende woorden en zinsdelen
Achilles action aesthetic Alessandro Serpieri anima Antony and Cleopatra Antony's Ariosto's audience barge Bassanio behaviour bella morte body Book Brutus Cassius characters chess motif Cinthio's comedy commedia contemporary court critical cultural discourse disguised duke dramatic early modern edition Elizabethan England Epitia fencing Ficino Florence genre Giraldi Cinthio Gl'Ingannati Greene's Hamlet hand Hector honour human Iago ideological intertextual Isabella Italian Italy Jacobean Juliet Julius Caesar Latin literary London lovers Marrapodi marriage masque material Measure for Measure Merchant of Venice Michelangelo moral Mostellaria narrative nature novella Orlando Furioso Othello Oxford painting performance Plautus play's players playwright plot Plutarch political Portia quotations reference Renaissance Drama rhetorical Roman Rome Romeo ruler satire Saviolo scene sexual Shakespeare Shakespeare's play Shrew soul stage statue story tale textual theatre theatrical Thomas thou tradition tragedy translation Troilus and Cressida Twelfth Night Venetian Vincentio William Shakespeare