The Reel Shakespeare: Alternative Cinema and TheoryLisa S. Starks, Courtney Lehmann Fairleigh Dickinson Univ Press, 2002 - 298 pagina's This collection models an approach to Shakespeare and cinema that is concerned with the other side of Shakespeare's Hollywood celebrity, taking the reader on a practical and theoretical tour through important, non-mainstream films and the oppositional messages they convey. The collection includes essays on early silent adaptations of 'Hamlet', Greenway's 'Prospero's Books', Godard's 'King Lear', Hall's 'A Midsummer Night's Dream', Taymor's 'Titus', Polanski's 'Macbeth', Welles 'Chimes at Midnight', and Van Sant's 'My Own Private Idaho'. |
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Pagina 4
... English drama - Film and video adaptations . 3. Film adaptations . I. Starks , Lisa S. , 1960- II . Lehmann , Courtney , 1969- PR3093 .R44 2002 791.43'6 - dc21 PRINTED IN THE UNITED STATES OF AMERICA 2002024135 Contents Acknowledgments ...
... English drama - Film and video adaptations . 3. Film adaptations . I. Starks , Lisa S. , 1960- II . Lehmann , Courtney , 1969- PR3093 .R44 2002 791.43'6 - dc21 PRINTED IN THE UNITED STATES OF AMERICA 2002024135 Contents Acknowledgments ...
Pagina 10
... English , for Shakespeare has been linked with cinema since its inception . Only three years after first - genera- tion filmmakers like the Lumiere brothers in France , Robert William Paul in England , and Thomas Edison in America ...
... English , for Shakespeare has been linked with cinema since its inception . Only three years after first - genera- tion filmmakers like the Lumiere brothers in France , Robert William Paul in England , and Thomas Edison in America ...
Pagina 46
... English woman . The men in the production wear lace collars over quasi - Edwardian jackets , while the women are dressed in very precisely dated miniskirts of the late 1960s . Hippolyta wears the black leather variant on this style ...
... English woman . The men in the production wear lace collars over quasi - Edwardian jackets , while the women are dressed in very precisely dated miniskirts of the late 1960s . Hippolyta wears the black leather variant on this style ...
Pagina 48
... English litera- ture . Hermia's line " O spite , too high to be enthralled to low " functions here as a metacinematic allusion to Hall's vertical cutting as well as to Lysander's aloofness and arrogance . This Lysander is a cad , like ...
... English litera- ture . Hermia's line " O spite , too high to be enthralled to low " functions here as a metacinematic allusion to Hall's vertical cutting as well as to Lysander's aloofness and arrogance . This Lysander is a cad , like ...
Pagina 49
... English society as instanced in the work of Leavis , in Eliot's myth of a " dissociation of sensibility , " 12 and in D. H. Lawrence's contempt for the pseudoliberation and coldness of upper - class English life . I take Hippolyta's ...
... English society as instanced in the work of Leavis , in Eliot's myth of a " dissociation of sensibility , " 12 and in D. H. Lawrence's contempt for the pseudoliberation and coldness of upper - class English life . I take Hippolyta's ...
Inhoudsopgave
25 | |
43 | |
Voice and Gaze in JeanLuc Godards π²πππ π³πππ | 59 |
The Incorporation of Word as Image in Peter Greenaways π·ππππππππ π©ππππ | 95 |
Powers of Horror in Julie Taymors πππππ | 121 |
Mediating Witchcraft in Polanski and Shakespeare | 143 |
Orson Welless πͺπππππ ππ π΄ππ
πππππ and Gus Van Sants π΄π πΆππ π·ππππππ π°π
πππ | 165 |
Close Encounters in the Shakespearean Classroom | 191 |
Teaching against Shakespeares Author Function | 212 |
A Selective Bibliography of Criticism | 229 |
Notes on Contributors | 288 |
Index | 291 |
Overige edities - Alles bekijken
The Reel Shakespeare: Alternative Cinema and Theory Lisa S. Starks,Courtney Lehmann Fragmentweergave - 2002 |
The Reel Shakespeare: Alternative Cinema and Theory Lisa S. Starks,Courtney Lehmann Geen voorbeeld beschikbaar - 2002 |
Veelvoorkomende woorden en zinsdelen
abject audience author function body Branagh's Henry Burt Cambridge camera characters Chimes at Midnight cinema Classroom close-up Cordelia Coursen critics cultural death desire Donaldson Early Modern edited Falstaff Falstaff's tavern Film and Television Film Newsletter film's gender Godard Greenaway Greenaway's grotesque Hall's Hamlet hear History Hollywood homoerotic homosexuality horror film hysteria hysterical Iago's Ibid Julie Taymor Kenneth Branagh Kenneth Branagh's King Lear Learo Literature/Film Quarterly London Macbeth male Manson Midsummer Night's Dream mirror monstrous-feminine movie murders narrative Oberon Oliver Parker Olivier Orson Othello Performance Peter Petruchio Pluggy's Polanski's Macbeth popular Princeton Private Idaho production Prospero's Books Psychoanalysis reality Renaissance representation Rothwell Routledge scene Sellars sexual Shakespeare Bulletin Shakespeare on Film Shakespeare on Screen Shakespeare Quarterly Shakespeare's play shot Shrew Slavoj Ε½iΕΎek stage suggests symbolic tavern world Taymor Teaching Shakespeare theatrical tion Titania utopian viewer visual voice-over Welles's film Witchcraft witches York Zeffirelli Ε½iΕΎek
Populaire passages
Pagina 108 - No sweet aspersion shall the heavens let fall To make this contract grow ; but barren hate, Sour-eyed disdain and discord shall bestrew The union of your bed with weeds so loathly That you shall hate it both : therefore take heed, As Hymen's lamps shall light you.β
Pagina 66 - A man may see how this world goes with no eyes. Look with thine ears : see how yond justice rails upon yond simple thief. Hark, in thine ear: change places; and, handy-dandy, which is the justice, which is the thief?β
Pagina 26 - To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature's second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of.β
Pagina 215 - We know now that a text is not a line of words releasing a single 'theologicalβ
Pagina 52 - What I want is a strange conjunction with you - ' he said quietly; 'not meeting and mingling - you are quite right - but an equilibrium, a pure balance of two single beings - as the stars balance each other.β
Pagina 85 - I'd use them so That heaven's vault should crack. β She's gone for ever ! β I know when one is dead, and when one lives ; She's dead as earth. β Lend me a looking-glass ; If that her breath will mist or stain the stone, Why, then she lives.β
Pagina 9 - And so art is everywhere, since artifice is at the very heart of reality . And so art is dead, not only because its critical transcendence is gone, but because reality itself, entirely impregnated by an aesthetic which is inseparable from its own structure, has been confused with its own image.β
Pagina 82 - The eye of man hath not heard, the ear of man hath not seen, man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was!β
Pagina 82 - Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.β
Verwijzingen naar dit boek
Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare ... Emma French Gedeeltelijke weergave - 2006 |
Selling Shakespeare to Hollywood: The Marketing of Filmed Shakespeare ... Emma French Fragmentweergave - 2006 |