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Pagina
... the choice of the subjects and the painters by whom they are executed , be also a lasting record of the present state of High Art , which has placed our National School of Painting in the first rank amongst the Schools of Europe .
... the choice of the subjects and the painters by whom they are executed , be also a lasting record of the present state of High Art , which has placed our National School of Painting in the first rank amongst the Schools of Europe .
Pagina 5
... the fact was held by the audience to be in subjection to the fable which he sought to present ; -the world of reality lived in a larger world of art ; -art divested the real of its formal shapes , and made its hard masses plastic .
... the fact was held by the audience to be in subjection to the fable which he sought to present ; -the world of reality lived in a larger world of art ; -art divested the real of its formal shapes , and made its hard masses plastic .
Pagina 7
Our readers need scarcely be told that the present term milliner is derived from Milan , in consequence of the reputation of that city for its fabrication as well " of weeds of peace " as of " harness for war ; " but it may be necessary ...
Our readers need scarcely be told that the present term milliner is derived from Milan , in consequence of the reputation of that city for its fabrication as well " of weeds of peace " as of " harness for war ; " but it may be necessary ...
Pagina 9
Steevens , whose ear received it as a monosyllable , corrupted the reading . In Act II . Sc . VII . , we have this line" But qualify the fire's extreme rage . " See Walker , on " Shakespeare's Versification , " § xviii . The present ...
Steevens , whose ear received it as a monosyllable , corrupted the reading . In Act II . Sc . VII . , we have this line" But qualify the fire's extreme rage . " See Walker , on " Shakespeare's Versification , " § xviii . The present ...
Pagina 12
Your own present folly , and her passing deformity for he , being in love , could not see to garter his hose ; and you , being in love , cannot see to put on your hose . Val . Belike , boy , then you are in love ; for last morning you ...
Your own present folly , and her passing deformity for he , being in love , could not see to garter his hose ; and you , being in love , cannot see to put on your hose . Val . Belike , boy , then you are in love ; for last morning you ...
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Veelvoorkomende woorden en zinsdelen
according ancient appears Arden arms authority bear become called century Comedies court daughter Duke edition Enter eyes fair father folio gave gentle Gentlemen of Verona give given gold hands hath heart held Henry hold Illustrations Italy John Shakspere Julia King labour lady land Laun leave letter lines lived LONDON look lord lose lost Lucetta madam Malone mark Mary master mean mention Milan mind mistress night North's Plutarch original passage perfect period plays present Printed probably Proteus reading reason received record regard Robert SCENE servant Shakspere's sheep Silvia speak Speed story Stratford Street sweet tell thee things thou Thurio town Valentine worth write
Bibliografische gegevens
| Titel | The Works of Shakespere |
| Auteur | William Shakespeare |
| Uitgever | Virtue, 183? |
| Oorspronkelijk uit | la Biblioteca de Catalunya |
| Gedigitaliseerd | 9 okt 2009 |
| Lengte | 16 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |