Cumberland's British Theatre: With Remarks, Biographical & Critical. Printed from the Acting Copies, as Performed at the Theatres Royal, London... |
Vanuit het boek
Resultaten 1-5 van 5
Pagina 38
Art not thou thyself giddy with the fashion too, that thou hast shifted out of thy tale
into telling me of the fashion. Bor. Not so, neither: but know, that I have to-night
wooed Margaret, the Lady Hero's gentlewoman, by the name of Hero ; she leans
...
Art not thou thyself giddy with the fashion too, that thou hast shifted out of thy tale
into telling me of the fashion. Bor. Not so, neither: but know, that I have to-night
wooed Margaret, the Lady Hero's gentlewoman, by the name of Hero ; she leans
...
Pagina 50
At last, stretching himself, and yawning — My dear — says he aw you came
home very late last night 'Twas but just turned of two, says I 1 was in bed aw by
eleven, says he So you are every night, says I Well, says he, I am amazed you
can sit ...
At last, stretching himself, and yawning — My dear — says he aw you came
home very late last night 'Twas but just turned of two, says I 1 was in bed aw by
eleven, says he So you are every night, says I Well, says he, I am amazed you
can sit ...
Pagina 14
During this night I charge you not to sleep a wink, but be watchful as a lynx, and
keep walking up and down the entry, that if you hear the least noise you may
alarm the family. Stay here, perverse animal, and take care that nobody
approaches ...
During this night I charge you not to sleep a wink, but be watchful as a lynx, and
keep walking up and down the entry, that if you hear the least noise you may
alarm the family. Stay here, perverse animal, and take care that nobody
approaches ...
Pagina 24
... and stay on the roof of the house until to-morrow night, we might then steal the
keys from your guardian ; but I'm afraid you won't be able to persuade him. Leon.
I'll go down upon my knees. Urs. Find him out, [Rising] while I step up stairs.
... and stay on the roof of the house until to-morrow night, we might then steal the
keys from your guardian ; but I'm afraid you won't be able to persuade him. Leon.
I'll go down upon my knees. Urs. Find him out, [Rising] while I step up stairs.
Pagina 27
'Tis more than mortal bliss. Leon. Well, now good night ; Pray ease our fright ;
You're very bold, sir ; Let loose your hold, sir ; I think you want to scare me quite.
Leand. Oh, fortune's spite ! Leon. Good night, good night. Enter Don Diego, l.
Diego ...
'Tis more than mortal bliss. Leon. Well, now good night ; Pray ease our fright ;
You're very bold, sir ; Let loose your hold, sir ; I think you want to scare me quite.
Leand. Oh, fortune's spite ! Leon. Good night, good night. Enter Don Diego, l.
Diego ...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Overige edities - Alles weergeven
Cumberland's British Theatre: With Remarks, Biographical and ..., Volume 14 Volledige weergave - 1826 |
Veelvoorkomende woorden en zinsdelen
answer bear Beatr believe Bell Bened better bring brother Cant character Charl Chart Claud Claudio comes Count cousin Darn daughter dear desire Diego doctor don't door dress Duke Enter Exeunt Exit eyes fair father fellow fool fortune give hand happy hath head hear heart Heaven Hero honour hope husband I'll Jenny John keep Lady G Lady Lamb Leand leave Leon live look Lord Love Lovemore ma'am madam Manly marry matter mean mind morning Mungo never night Old Lady Pedro play poor pray Rosalind SCENE servant Sir Bash Sir Bril Sir Fran speak stand stay sure talk tell thank thee thing thou thought thousand Touch true turn wife woman young
Populaire passages
Pagina 25 - NOW, my co-mates, and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp ? Are not these woods More free from peril than the envious court ? Here feel we but the penalty of Adam, The seasons...
Pagina 27 - Sigh no more, ladies, sigh no more Men were deceivers ever, One foot in sea and one on shore, To one thing constant never : Then sigh not so, but let them go, And be you blithe and bonny, Converting all your sounds of woe Into Hey nonny, nonny.
Pagina 25 - The seasons' difference ; as, the icy fang, And churlish chiding of the winter's wind ; Which when it bites and blows upon my body, Even till I shrink with cold, I smile, and say, — This is no flattery : these are counsellors, That feelingly persuade me what I am. Sweet are the uses of adversity ; Which, like the toad, ugly and venomous, Wears yet a precious jewel in his head ; And this our life, exempt from public haunt, Finds tongues in trees, books in the running brooks, Sermons in stones, and...
Pagina 28 - UNDER THE GREENWOOD TREE' UNDER the greenwood tree Who loves to lie with me, And turn his merry note Unto the sweet bird's throat; Come hither, come hither, come hither: Here shall he see No enemy But winter and rough weather. Who doth ambition shun And loves to live i...
Pagina 32 - twill be eleven ; And so from hour to hour we ripe and ripe, And then from hour to hour we rot and rot, And thereby hangs a tale.
Pagina 35 - Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude ; Thy tooth is not so keen, Because thou art not seen, Although thy breath be rude.
Pagina 34 - And then the whining schoolboy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress
Pagina 24 - Let me be your servant; Though I look old, yet I am strong and lusty ; For in my youth I never did apply Hot and rebellious liquors in my blood; Nor did not with unbashful forehead woo The means of weakness and debility ; Therefore my age is as a lusty winter, Frosty, but kindly.
Pagina 52 - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men, for thus sings he, Cuckoo; Cuckoo, cuckoo, — 0 word of fear, Unpleasing to a married ear!
Pagina 34 - All the world's a stage, And all the men and women merely players : They have their exits and their entrances ; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
Bibliografische gegevens
| Titel | Cumberland's British Theatre: With Remarks, Biographical & Critical. Printed from the Acting Copies, as Performed at the Theatres Royal, London... Volume 3 van Cumberland's British Theatre: With Remarks, Biographical & Critical. Printed from the Acting Copies, as Performed at the Theatres Royal, London, George Daniel |
| Bijdragers | George Daniel, Thomas Dolby |
| Uitgever | J. Cumberland, 1826 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 12 juli 2007 |
| Citatie exporteren | BiBTeX EndNote RefMan |