The Lofty Rhyme: A Study of Milton's Major PoetryRoutledge & K. Paul, 1970 - 190 pagina's |
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Pagina 2
... creative . Since part of the milieu which the criticism illuminates and moves forward is formed by Mr. Eliot's own poetry it is reasonable that motifs predominant in the criticism should find their substantiation in the creative work ...
... creative . Since part of the milieu which the criticism illuminates and moves forward is formed by Mr. Eliot's own poetry it is reasonable that motifs predominant in the criticism should find their substantiation in the creative work ...
Pagina 40
... creative order and creative joy . Milton's strategies in Comus reflect what he found himself capable of doing . Perhaps the masque would have been more successful if the lady had forgotten her righteous indignation long enough to say ...
... creative order and creative joy . Milton's strategies in Comus reflect what he found himself capable of doing . Perhaps the masque would have been more successful if the lady had forgotten her righteous indignation long enough to say ...
Pagina 88
... creative and the destructive Trinities and in the massed confrontations , elaborately linked and extended , which the epic urges irresistibly on us . The final shaping of the poem is anchored in the poem's logic . That is why we should ...
... creative and the destructive Trinities and in the massed confrontations , elaborately linked and extended , which the epic urges irresistibly on us . The final shaping of the poem is anchored in the poem's logic . That is why we should ...
Inhoudsopgave
The Constant Core | 1 |
in order serviceable | 11 |
the inglorious likeness | 23 |
Copyright | |
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accept achievement Adam affirmation answer apparent aware becomes begins bring called centre Christ Christian comes Complete Complete Prose Comus context contrast created creative criticism darkness death decisive described divine effect epic fall final follows force forward freedom given gives God's grace heaven human interpretation involved knowledge Lady language learning less light lines live London look Lycidas man's masque meaning Michael's Milton mind move movement nature notes observes offered once Paradise Lost passage pattern perfect perhaps poem poem's poetry possible present providence reaching reader reason recognition recognize remains response result Samson Satan seems sense shape speaks stands structure Studies style suggest takes temptation things thought tion tradition true truth turn understanding universe whole York