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for a whole book. Now for the latter poem, which part of our Saviour's life was it best to select as that in which Paradise was Regained? He might have taken the Crucifixion, and here he had a much wider field than in the Temptation; but then he was subject to this dilemma. If he modified, or in any way altered, the full details of the four Evangelists, he shocked the religious sense of all Christians yet, the purposes of a poet would often require that he should so modify them. With a fine sense of this difficulty, he chose the narrow basis of the Temptation in the Wilderness, because there the whole had been wrapt up in Scripture in a few brief abstractions. Thus, "He showed him all the kingdoms of the earth," is expanded, without offence to the nicest religious scruple, into that matchless succession of pictures, which bring before us the learned glories of Athens, Rome in her civil grandeur, and the barbaric splendour of Parthia. The actors being only two, the action of Paradise Regained is unavoidably limited. But in respect of composition, it is perhaps more elaborately finished than Paradise Lost.

In 1672 he published in Latin, a new scheme of Logic, on the method of Ramus, in which Dr. Johnson suspects him to have meditated the very eccentric crime of rebellion against the universities. Be that as it may, this little book is in one view not without interest: all scholastic systems of logic confound logic and metaphysics; and some of Milton's metaphysical doctrines, as the present Bishop of Winchester has noticed, have a reference to the doctrines brought forward in his posthumous Theology. The history of the last-named work is remarkable. That such a treatise had existed, was well known, but it had disappeared, and was supposed to be irrecoverably lost. But in the year 1823, a Latin manuscript was discovered in the State-Paper Office, under circumstances which left little doubt of its being the identical work which Milton was known to have composed; and this belief was corroborated by internal evidence. By the King's command, it was edited by Mr. Sumner, the present Bishop of Winchester, and separately published in a translation. The title is De Doctrina Christiana, libri duo posthumi'-A Treatise on Christian Doctrine, compiled from the Holy Scriptures alone. In elegance of style, and sublimity of occasional passages, it is decidedly inferior to other of his prose works. As a system of theology, probably no denomination of Christians would be inclined to bestow other than a very sparing praise upon it. Still it is well worth the notice of those students, who are qualified to weigh the opinions, and profit by the errors of such a writer, as being composed with Milton's usual originality of

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thought and inquiry, and as being remarkable for the boldness with which he follows up his arguments to their legitimate conclusion, however startling those conclusions may be.

What he published after the scheme of logic, is not important enough to merit a separate notice. His end was now approaching. In the summer of 1674 he was still cheerful, and in the possession of his intellectual faculties. But the vigour of his bodily constitution had been silently giving way, through a long course of years, to the ravages of gout. It was at length thoroughly undermined: and about the tenth of November, 1674, he died with tranquillity so profound, that his attendants were unable to determine the exact moment of his decease. He was buried, with unusual marks of honour, in the chancel of St. Giles' at Cripplegate.

The published lives of Milton are very numerous. Among the best and most copious are those prefixed to the editions of Milton's works by Bishop Newton, Todd, and Symmons. An article of considerable length, founded upon the latter, will be found in Rees's Cyclopædia. But the most remarkable is that written by Dr. Johnson in his Lives of the British Poets;' a production grievously disfigured by prejudice, yet well deserving the student's attentions for its intrinsic merits, as well as for the celebrity which it has attained.

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