The Cambridge Companion to Greek TragedyP. E. Easterling Cambridge University Press, 2 okt 1997 - 392 pagina's As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays. |
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Inhoudsopgave
Deep plays theatre as process in Greek civic life | 3 |
A show for Dionysus | 36 |
The audience of Athenian tragedy | 54 |
The pictorial record | 69 |
THE PLAYS | 91 |
The sociology of Athenian tragedy | 93 |
The language of tragedy rhetoric and communication | 127 |
Form and performance | 151 |
From repertoire to canon | 211 |
Tragedy adapted for stages and screens the Renaissance to the present | 228 |
Tragedy in performance nineteenth and twentiethcentury productions | 284 |
Modern critical approaches to Greek tragedy | 324 |
Glossary | 348 |
Texts Commentaries and Translations | 355 |
Works Cited | 359 |
380 | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
action actors Aeschylus Agamemnon agōn ancient Antigone Aristophanes Aristotle Athens Attic audience Bacchae Cambridge Companion characters choral chorus citizens civic classical comedy contemporary costume Creon criticism culture dance death democracy democratic Dionysia Dionysus discussion dramatisation Easterling Edipe Electra Eumenides Euripidean Euripides evidence example festival fifth century fourth century Goldhill Greek drama Greek tragedy Hecuba Helen Heracles hero Hippolytus Homeric Iphigeneia Jocasta Laius language Lenaea London male masks Medea modern myth narrative Neoptolemus Odysseus Oedipus at Colonus Oedipus the King opera Oresteia Orestes particular pattern Pentheus performance Persians Phaedra Philoctetes Pickard-Cambridge 1988 playwrights plot polis political production rhetoric ritual role satyr play scene scholars Seaford slaves social song Sophoclean Sophocles spectators speech stage story Suppliant Women surviving Taplin texts theatre theatrical Theban Thebes theme Theseus tradition tragedians tragedy's tragic poets translation Trojan Women Troy vase-paintings vases Vernant Vidal-Naquet 1988 words Zeitlin