Handbook of Modern British Painting, 1900-1980Alan Windsor Scolar Press, 1992 - 287 pagina's The Handbook of Modern British Painting and Printmaking 1900-1980 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on about 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Artists are included if they (at one end of the timescale) had finished their training by 1900, and were truly beginning their professional career in the twentieth century, and (at the other end of the timescale) had established themselves professionally on the national scene by 1980. If the artist was foreign born, he or she is included if they resided in Britain, and exhibited or worked here long enough for their presence to be of significance for British art. |
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Pagina 62
... tion of forms moves her work towards abstrac- tion whilst retaining the initial reference to landscape . She explains her concerns as a partial- ity for the trace rather than the direct frontal confrontation . Her most recent work ...
... tion of forms moves her work towards abstrac- tion whilst retaining the initial reference to landscape . She explains her concerns as a partial- ity for the trace rather than the direct frontal confrontation . Her most recent work ...
Pagina 217
... tion of the CHENIL GALLERY in 1906. A memorial exhibition was held at the Knoedler Gallery , New York in 1932 . LIT : Orpen , Mirror to an Age , B. Arnold , 1981 ; An Onlooker in France 1917-19 , W. Orpen 1921 ; Sto- ries of Old Ireland ...
... tion of the CHENIL GALLERY in 1906. A memorial exhibition was held at the Knoedler Gallery , New York in 1932 . LIT : Orpen , Mirror to an Age , B. Arnold , 1981 ; An Onlooker in France 1917-19 , W. Orpen 1921 ; Sto- ries of Old Ireland ...
Pagina 268
... tion with Canada , and particularly with the Banff School of Fine Art , where he was made Head of Painting in 1966 , began in 1951. In 1964–5 he selected work for the Canadian Biennial Exhibi- tion and in 1970 was the co - author and ...
... tion with Canada , and particularly with the Banff School of Fine Art , where he was made Head of Painting in 1966 , began in 1951. In 1964–5 he selected work for the Canadian Biennial Exhibi- tion and in 1970 was the co - author and ...
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abroad ACADÉMIE JULIAN Academy acrylic ARCA ART SOCIETY ARTS COUNCIL awarded Born CAMDEN TOWN GROUP CENTRAL SCHOOL CHANTREY BEQUEST College of Art colour Cubism designer Edinburgh elected etcher EUSTON ROAD SCHOOL exhib exhibited in London exhibited mainly figures in oils flowers founder member France GLASGOW SCHOOL gouache Goupil Gallery group exhibitions hibited illustrator including the Tate influenced Italy John landscapes in oils LEICESTER GALLERIES lery Liverpool London London galleries including Manchester mural Museum NEAC Newlyn oils and watercolours one-man show Painter in oils Painter of abstracts Painter of figures Painter of landscapes Painter of portraits painting Paris Salon printmaker provinces public collections including RA SCHOOLS represented in collections represented in public Retrospective exhibition catalogue scapes scenes Scholarship School of Art sculptor SICKERT SLADE SCHOOL St Ives subsequently exhibited Tate Gallery taught tion townscapes travelled WAR ARTIST
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