for hero-worship in the half-demented Sir Gregor McGregor, and Ypsilanti at the head of his knavish Greeks? I can account for it only on the supposition that the mischief was inherited, an heirloom from the old sea-kings of the ninth century.

Education and reflection have, indeed, since wrought a change in my feelings. The trumpet of the Cid, or Ziska's drum even, could not now waken that old martial spirit. The bull-dog ferocity of a half-intoxicated Anglo-Saxon, pushing his blind way against the converging cannon-fire from the shattered walls of Ciudad Rodrigo, commends itself neither to my reason nor my fancy. I now regard the accounts of the bloody passage of the Bridge of Lodi, and of French cuirassiers madly transfixing themselves upon the bayonets of Wellington's squares, with very much the same feeling of horror and loathing which is excited by a detail of the exploits of an Indian Thug, or those of a mad Malay running a muck, creese in hand, through the streets of Pulo Penang. Your Waterloo, and battles of the Nile and Baltic, what are they, in sober fact, but gladiatorial murder-games on a great scale, — human imitations of bull-fights, at which Satan sits as grand alguazil and master of ceremonies? It is only when a great thought incarnates itself in action, desperately striving to find utterance even in sabre-clash and gun-fire, or when Truth and Freedom, in their mistaken zeal and distrustful of their own powers, put on battleharness, that I can feel any sympathy with merely physical daring. The brawny butcher-work of

men whose wits, like those of Ajax, lie in their sinews, and who are "yoked like draught-oxen and made to plough up the wars," is no realization of my ideal of true courage.

Yet I am not conscious of having lost in any degree my early admiration of heroic achievement. The feeling remains; but it has found new and better objects. I have learned to appreciate what Milton calls the martyr's "unresistible might of meekness," -the calm, uncomplaining endurance of those who can bear up against persecution uncheered by sympathy or applause, and, with a full and keen appreciation of the value of all which they are called to sacrifice, confront danger and death in unselfish devotion to duty. Fox, preaching through his prison-gates or rebuking Oliver Cromwell in the midst of his soldier-court; Henry Vane beneath the axe of the headsman; Mary Dyer on the scaffold at Boston; Luther closing his speech at Worms with the sublime emphasis of his "Here stand I; I cannot otherwise; God help

me

e; "William Penn defending the rights of Englishmen from the baledock of the Fleet prison; Clarkson climbing the decks of Liverpool slaveships; Howard penetrating to infected dungeons; meek Sisters of Charity breathing contagion in thronged hospitals, — all these, and such as these, now help me to form the loftier ideal of Christian heroism.

Blind Milton approaches nearly to my conception of a true hero. What a picture have we of that sublime old man, as sick, poor, blind, and abandoned of friends, he still held fast his heroic

integrity, rebuking with his unbending republicanism the treachery, cowardice, and servility of his old associates! He had outlived the hopes and beatific visions of his youth; he had seen the loudmouthed advocates of liberty throwing down a nation's freedom at the feet of the shameless, debauched, and perjured Charles II., crouching to the harlot-thronged court of the tyrant, and forswearing at once their religion and their republicanism. The executioner's axe had been busy among his friends. Vane and Hampden slept in their bloody graves. Cromwell's ashes had been dragged from their resting-place; for even in death the effeminate monarch hated and feared the conquerer of Naseby and Marston Moor. He was left alone, in age, and penury, and blindness, oppressed with the knowledge that all which his free soul abhorred had returned upon his beloved country. Yet the spirit of the stern old republican remained to the last unbroken, realizing the truth of the language of his own Samson Agonistes:

"But patience is more oft the exercise

Of saints, the trial of their fortitude,
Making them each his own deliverer
And victor over all

That tyranny or fortune can inflict."

The curse of religious and political apostasy lay heavy on the land. Harlotry and atheism sat in the high places; and the "caresses of wantons and the jests of buffoons regulated the measures of a government which had just ability enough to deceive, just religion enough to persecute." But, while Milton mourned over this disastrous change,

no self-reproach mingled with his sorrow. To the last he had striven against the oppressor; and when confined to his narrow alley, a prisoner in his own mean dwelling, like another Prometheus on his rock, he still turned upon him an eye of unsubdued defiance. Who, that has read his powerful appeal to his countrymen when they were on the eve of welcoming back the tyranny and misrule which, at the expense of so much blood and treasure had been thrown off, can ever forget it? How nobly does Liberty speak through him! "If,” said he, "ye welcome back a monarchy, it will be the triumph of all tyrants hereafter over any people who shall resist oppression; and their song shall then be to others, How sped the rebellious English?' but to our posterity, How sped the rebels, your fathers?"" How solemn and awful is his closing paragraph! "What I have spoken is the language of that which is not called amiss 'the good old cause.' If it seem strange to any, it will not, I hope, seem more strange than convincing to backsliders. This much I should have said though I were sure I should have spoken only to trees and stones, and had none to cry to but with the prophet, 'O earth, earth, earth!' to tell the very soil itself what its perverse inhabitants are deaf to; nay, though what I have spoken should prove (which Thou suffer not, who didst make mankind free; nor Thou next, who didst redeem us from being servants of sin) to be the last words of our expiring liberties."

THE CITY OF A DAY.

The writer, when residing in Lowell, in 1843 contributed this and the companion pieces to The Stranger in Lowell.

THIS, then, is Lowell, a city springing up, like the enchanted palaces of the Arabian tales, as it were in a single night, stretching far and wide its chaos of brick masonry and painted shingles, filling the angle of the confluence of the Concord and the Merrimac with the sights and sounds of trade and industry. Marvellously here have art and labor wrought their modern miracles. I can scarcely realize the fact that a few years ago these rivers, now tamed and subdued to the purposes of man and charmed into slavish subjection to the wizard of mechanism, rolled unchecked towards the ocean the waters of the Winnipesaukee and the rock-rimmed springs of the White Mountains, and rippled down their falls in the wild freedom of Nature. A stranger, in view of all this wonderful change, feels himself, as it were, thrust forward into a new century; he seems treading on the outer circle of the millennium of steam engines and cotton mills. Work is here the patron saint. Everything bears his image and superscription. Here is no place for that respectable class of citizens called gentlemen, and their much vilified brethren, familiarly known as loafers. Over the gateways of this newworld Manchester glares the inscription, "Work, or die!" Here