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son of the goddess Prudence, and inherited many of his mother's virtues. After a full entertainment, he retired into the garden of Jupiter, which was hung with a great variety of ambrosial fruits, and seems to have been a very proper retreat for such a guest. In the mean time, an unhappy female called Poverty, having heard of this great feast, repaired to it, in hopes of finding relief. The first place she lights upon was Jupiter's garden, which generally stands open to people of all conditions. Poverty enters, and by chance finds the god Plenty asleep in it. She was immediately fired with his charms, laid herself down by his side, and managed matters so well, that she conceived a child by him. The world was very much in suspense upon the occasion, and could not imagine to themselves what would be the nature of an infant that was to have its original from two such parents. At the last, the child appears; and who should it be but Love? This infant grew up, and proved in all his behaviour, what he really was, a compound of opposite beings. As he is the son of Plenty, who was the offspring of Prudence, he is subtle, intriguing, full of stratagems and devices; as the son of Poverty, he is fawning, begging, serenading, delighting to lie at a threshold, or beneath a window. By the father, he is audacious, full of hopes, conscious of merit, and therefore quick of resentment. By the mother, he is doubtful, timorous, mean-spirited, fearful of offending, and abject in submissions. In the same hour you may see him transported with raptures, talking of immortal pleasures, and appearing satisfied as a god; and immediately after, as the mortal mother prevails in his composition, you behold him pining, languishing, despairing, dying."

I have been always wonderfully delighted with fables, allegories, and the like inventions, which

the politest and the best instructors of mankind have always made use of. They take off from the severity of instruction, and inforce it at the same time that they conceal it. The supposing Love to be conceived immediately after the birth of Beauty; the parentage of Plenty; and the inconsistency of this passion with its self so naturally derived to it, are great master-strokes in this fable; and if they fell into good hands, might furnish out a more pleasing canto than any in Spenser.

From my own Apartment, November 4.

I came home this evening in a very pensive mood; and, to divert me, took up a volume of Shakspeare, where I chanced to cast my eye upon a part in the tragedy of Richard the Third, which filled my mind with a very agreeable horror. It was the scene in which that bold but wicked prince is represented as sleeping in his tent, the night before the battle in which he fell. The poet takes that occasion to set before him, in a vision, a terrible assembly of apparitions, the ghosts of all those innocent persons whom he is said to have murdered. Prince Edward, Henry VI., the Duke of Clarence, Rivers, Gray, and Vaughan; Lord Hastings, the two young Princes, sons to Edward IV., his own wife, and the Duke of Buckingham, rise up in their blood before him, beginning their speeches with that dreadful salutation, "Let me sit heavy on thy soul tomorrow;" ;" and concluding with that dismal sentence, "Despair and die." This inspires the tyrant with a dream of his past guilt, and of the approaching vengeance. He anticipates the fatal day of Bosworth, fancies himself dismounted, weltering in his own blood; and in the agonies of despair, before he is thoroughly awake, starts up with the following speech:

"Give me another horse-Bind up my wounds!
Have mercy, Jesu-Soft! I did but dream.
Oh! coward conscience! how dost thou afflict me!
The lights burn blue! Is it not dead midnight?
Cold fearful drops stand on my trembling flesh :
What do I fear? myself!" &c.

A scene written with so great strength of imagi. nation indisposed me from further reading, and threw me into a deep contemplation. I began to reflect upon the different ends of good and bad kings; and as this was the birth-day of our late renowned monarch*; I could not forbear thinking on the departure of that excellent prince, who life was crowned with glory, and his death with peace. I let my mind go so far into this thought, as to imagine to myself what might have been the vision of his departing slumbers. He might have seen confederate kings applauding him in different languages; slaves that had been bound in fetters lifting up their hands, and blessing him; and the persecuted in their several forms of worship imploring comfort on his last moments. The reflection upon this excellent prince's mortality had been a very melancholy entertainment to me, had I not been relieved by the consideration of the glorious reign, which succeeds it.

We now see as great a virtue as ever was on the British throne, surrounded with all the beauty of success. Our nation may not only boast of a long series of great, regular, and well-laid designs, but also of triumphs and victories; while we have the happiness to see our sovereign exercise that true policy which tends to make a kingdom great and happy, and at the same time enjoy the good and glorious effect of it.

*King William III.

N° 91. TUESDAY, NOVEMBER 8, 1709.

From my own Apartment, November 7.

I was very much surprised this evening with a visit from one of the top Toasts of the town, who came privately in a chair, and bolted into my room, while I was reading a chapter of Agrippa upon the occult sciences; but, as she entered with all the air and bloom that nature ever bestowed on woman, I threw down the conjuror and met the charmer. I had no sooner placed her at my right hand by the fire, but she opened to me the reason of her visit. "Mr. Bickerstaff," said the fine creature," I have been your correspondent some time, though I never saw you before; I have writ by the name of Maria. You have told me you were too far gone in life to think of love. Therefore, I am answered as to the passion I spoke of; and," continued she, smiling, "I will not stay until you grow young again, as you men never fail to do in your dotage; but am come to consult you about disposing of myself to another. My person you see; my fortune is very considerable; but I am at present under much per plexity how to act in a great conjuncture. I have two lovers, Crassus and Lorio; Crassus is prodigiously rich, but has no one distinguishing quality; though at the same time he is not remarkable on the defective side. Lorio has travelled, is well bred, pleasant in discourse, discreet in his conduct, agree able in his person; and with all this, he has a competency of fortune without superfluity. When I consider Lorio, my mind is filled with an idea of

the great satisfactions of a pleasant conversation. When I think of Crassus, my equipage, numerous servants, gay liveries, and various dresses, are opposed to the charms of his rival. In a word, when I cast my eyes upon Lorio, I forget and despise fortune; when I behold Crassus, I think only of pleasing my vanity, and enjoying an uncontrolled expence in all the pleasures of life, except love." She paused here.

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"Madam,” said I, "I am confident you have not stated your case with sincerity, and that there is which pang you have concealed from me: for I see by your aspect the generosity of your mind: and that open ingenuous air lets me know, that you have too great a sense of the generous passion of love, to prefer the ostentation of life in the arms of Crassus, to the entertainments and conveniences of it in the company of your beloved Lorio: for so he is indeed, Madam; you speak his name with a different accent from the rest of your discourse. The idea his image raises in you gives new life to your features, and new grace to your speech. Nay, blush not, Madam; there is no dishonour in loving a man of merit; I assure you I am grieved at this dallying with yourself, when you put another in competition with him, for no other reason but superior wealth."-" To tell you, then," said she," the bottom of my heart, there is Clotilda lies by, and plants herself in the way of Crassus, and I am confident will snap him if I refuse him. I cannot bear to think that she will shine above me. When our coaches meet, to see her chariot hung behind with four footmen, and mine with but two: hers, powdered, gay, and saucy, kept only for show; mine, a couple of careful rogues that are good for something: I own, I cannot bear that Clo

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