TABLE OF CONTENTS. FRONTISPIECE. "The Southwark entrance to London in Shakespeare's I. THE ENGLISH DRAMA AT THE RENAISSANCE.-England at first has the same dramatic literature as all other countries-Sur- vival of mysteries and pious dramas-Moralities—They lead in France to the comedy of characters-Progress in England Pageants, masques, and ballets-May games, St. George and Robin Hood-" Pleasures at Kenilworth," Norwich -Court dramas and drawing-room fairy plays-Lyly's PAGE Farces and comedies-John Heywood-"Gammer Gurton's Classical tragedies-Translations and imitations of Seneca -Latin plays of Buchanan, Grimald and others—Gascoigne's "Jocasta "-Sackville and Norton's "Gorboduc"-"The Misfortunes of Arthur"; "Tancred and Gismund "-Transla- tions or imitations of the French classics: Daniel, the Classical teaching and its different effects in France and in II. THEATRES AND PERFORMANCES UNDER ELIZABETH.-Theatrical ... Interior and exterior of the English theatres-Prices for the pit, the galleries, and the stools on the stage-The "Lords' Scenery and properties-Arras and hangings-Scant " The actors-Principal troupes-Contracts and profits of the 57 parts performed by boys-Children players-Composition of ... ... ... ... PAGE 69 ... 83 Going to the play-The dinner at the ordinary; the cross- ... III. THE IMMEDIATE PREDECESSORS OF SHAKESPEARE. — Play The plays of Kyd, Peele, Greene, Lodge, Nash, and their IV. MARLOWE.-The greatest of Shakespeare's predecessors-His 888 105 121 public-"Tamburlaine;" causes of its success-Blank verse beauties-The "Jew of Malta"; atrocities and "machiavelic" plottings" The Massacre at Paris," the blackening of black deeds-" Edward II.": first well-constructed play, with 1. EARLY YEARS.-Stratford-on-Avon in the sixteenth century- Shakespeare's family-His birth-His father's house-The "Grammar School "-Sir Thomas Lucy- Marriage and paternity-Money troubles-Beginnings in London-Taste for the stage and for music-Apprentice-actor and apprentice- author-First successes-" Johannes Factotum "-Greene's II. FOR WHOM AND FOR WHAT SHAKESPEARE WRITES.- Literary activity and readiness of pen - Contemporary opinions and modern incense-Shakespeare writes for the crowd, for his livelihood-His great rule: to please the crowd-His plays make known the tastes of his public rather than his own-Repeated use of the devices which have proved successful-The books read by Shakespeare—The question of his learning-Sully Prudhomme's opinion on poets' originality-Shakespeare's success with the many-With the refined, he counts especially as an amourist and a lyrical III. FIRST DRAMAS.-Shakespeare as an adapter and imitator- ... ... by publishing his "Venus" and "Lucrece "-Lyrical charm, ... V. JOYOUS PERIOD OF SHAKESPEARE'S MATURITY.-"Taming of the Shrew"-Historical dramas mixed with comedy and farce" Henry IV.," Henry V.""Merry Wives" — Romantic dramas with happy endings: "Much Ado," VI. IN LONDON AND IN STRATFORD: THE SONNETS.-Provincial respectability and urban squandering-Increasing wealth and profitable acquisitions-Ways of life-The problem of the sonnets-Dedication: "Mr. W. H."-The "dark lady"— Sport of the imagination or real sentiments-What the sonnets are meter, subjects, lyricism-Physical beauty-The here- SOMBRE PERIOD OF SHAKESPEARE'S MATURITY.—" Hamlet," "Macbeth," "Othello"-Pessimistic solutions of the problem of life-" Lear," "Timon "-Romantic dramas darkened (even those with happy endings)—" Measure for Measure," "Pericles," "Troilus "-Roman dramas: "Julius Cæsar," "Coriolanus "-Erroneous details and real-life characters: VIII. LAST YEARS AND RETURN TO STRATFORD. — Shakespeare settles in his native town-Marriage of the poet's daughters -Last works: " Henry VIII.," "Tempest," "Cymbeline," "Winter's Tale "-Recovered serenity-" About my lord's Impreso"-Visits of Drayton and Jonson-Illness and last I. THE CLASSICAL AND THE SHAKESPEARIAN DRAMA.-Two oppo- |