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even Mr. Trollope, it seems a serious matter that an English-speaking man should say "I guess " instead of "I expect," or should pronounce "do" "du," or should wear white kid gloves in the day-time, or should commit any other of the solecisms whose commission in England would argue a certain want of knowledge of the habits of genteel society. To a Frenchman these sort of criticisms, with which the works of English tourists are filled, never suggest themselves. His very ignorance of English habits of thought and society preserve him from the fatal error of attaching undue importance to incidental features in American life which have nothing to do with its real essence and character.

M. Laugel is in many respects a very favourable specimen of a French tourist. Connected, we believe, with America by family relations, and intimately acquainted with our English language, and life, and literature, he united to a very great extent the opposite advantages of a French and an English observer. Having resided for some time in America in the closing year of the war, he has published a series of recollections of his Transatlantic experiences, which are well worth the study of anybody who wishes to understand the real aspect of that great country. Like most educated French Liberals, M. Laugel was throughout the war a strong supporter of the Northern cause. Several of the chapters of his book were published in the Revue des Deux Mondes at different periods during the last three years, and to re-read these now is to an Englishman curious enough. At the very time when our own public writers ridiculed and laughed at the notion that the North could possibly defeat the South, or that the Union could ever be restored, this French essayist treated the triumph of the Federals, the restoration of the Union, the present out-turn in fact of the war, as a matter of certainty; and this not because he had any superior channel of information, not because he was an impassioned partisan, but because he was cool enough to look facts in the face, and because, we are afraid we must add, he had more faith in freedom than we showed ourselves. With the clear, incisive logic of a French intellect, he saw at once that slavery was the real cause of the war, and perceiving this, he found no difficulty in understanding the nature of the struggle. "It cannot," he says, "be fairly asserted that the crisis we have just witnessed was the natural result of the application of those democratic ideas which triumphed on the American conti

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nent towards the close of the last century. It may be asserted confidently that the war would never have broken out if class | rivileges, under their most unjust and cruel form, had not been surreptitiously introduced into the laws and society of the Union, into the laws by the constitutional protection afforded to slavery, — into society by that prejudice of race which is so terrible an obstacle to the emancipation of the blacks..... What can you say of a social system where, in the midst of the most absolute equality, there existed a privileged class, founded neither on merit, nor on education, nor on distinguished services, nor even on wealth, but only on a certain description of property, that in human beings? This fatal antagonism of slavery and freedom is the key to all the political and social history of the United States."

M. Laugel was in America during the Presidential election, and his account of the fundamental questions at issue between Mr. Lincoln and McClellan is the clearest we have yet seen. He utterly denies the assertion so commonly made at the time in England, that the Democratic party was in favour of making peace with the South. The only difference in his opinion between the two parties was that while the Democrats proposed to restore the Union by guaranteeing the South the possession of their "peculiar institutions," the Republicans proposed to restore the Union and abolish slavery. Of all the many estimates of Abraham Lincoln's character, M. Laugel's seems to us the most philosophical we have met with. No doubt the portrait given of him in these pages is in some degree an exaggerated one. The humour of the man, the honesty, the ignorance, the shrewd mother-wit; the mental hesitation till the final conclusion was arrived at, and the dogged courage with which that resolution was adhered to; the mixture of fanaticism with a kindly cynicism, were all too characteristic of our strange Anglo-Saxon nature for any one not belonging to our race to understand thoroughly. One feature, however, of Mr. Lincoln's character, the influence which his life in the West had produced upon him, is brought out by M. Laugel with great power and acuteness. happened," he says with truth, "that the one dominant and almost only passion of Abraham Lincoln's nature was the passion of the nation. I ought perhaps not to use the word passion to express a resolute, calm, inflexible conviction, a sort of innate and inborn faith in the destiny of the American people. In no part of the Union has the

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national sentiment entered so deeply into the souls of Americans as amidst the populations which live beyond the Alleghanies. The inhabitant of Massachusetts may well be proud of the history of his little State. Most of the sea-board States have traditions and memories of their own, but Indiana, Ohio, and Illinois have as yet no history. The citizen of these vast territories, which he feels are called to such high destinies, is above all an American; he is, he means to remain, the citizen of a great country; he is determined to measure the greatness of his country by the magnitude of the States he inhabits, and his patriotism knows literally no bounds."

Of the feeling thus depicted Mr. Lincoln was undoubtedly a worthy representative, and no small portion of his strength was due to the fact that he knew and sympathised with the depth of the passion for the Union which prevails in the West. In the course of years Western men may come to have the same feelings towards their own States as are entertained by the citizens of Massachusetts or Maryland; but in the West the States as yet exist simply as geographical expressions. Even the most ardent patriot cannot be enthusiastic about the allotment of prairie land out of which his State has been formed within the memory of men still young, and therefore if the Western settler has any patriotism in him it is given undivided to the Union.

The reader who wants to learn how Yankees gobble down their food, or neglect the use of spittoons, or liquor up at bars, had better not turn to M. Laugel's pages. Strange to say, he omits almost all mention of these and similar topics, which form the staple of ordinary Anglo-American books of travel. But those who wish for a great deal of very valuable information about the Western States, told very pleasantly, cannot do better than read the record of M. Laugel's travels. The grotesque side of Ame.ican men and manners and cities has been described so often that it is a change to meet with a writer who tries to understand and explain their real character. Here, for instance, is a remark on the monster hotels of the West which throws a new light on these institutions:

ignores or despises shades, and degrees, and classifications; in the middle of so many equals a man feels himself in truth alone. Everybody has his home, where he shuts himself up with his wife and children; but at his hotel the American sees new faces, he hears other things talked about besides his own business; he learns to love order, cleanliness, luxury, large and spacious rooms; he forms his manners on those of the strangers he meets with there; he watches the movements, listens to the smallest words, of the celebrated personages, generals, statesmen, orators, or writers, whom chance has placed beside him for the day. Amidst this continual flood of new coupers, amongst so many strange faces, he learns the greatness of his country more fully than by studying an atlas. If he cannot visit every State, every State in turn comes to visit him. His horizon extends itself, and from the centre of his vast continent he turns his gaze to the shores of the Atlantic, to the Gulf of Mexico, to the valleys of California. The hotel is in fact an epitome of the Union."

The theory thus exposed may be true or not, but at any rate it seems to us better worth studying than an account of how many times the traveller had to ring before he could get buttered toast for breakfast, or of how many dishes the lady seated next him at dinner composed her repast. We have had enough, and more than enough, of comic American tourists, and we are glad to find one in M. Laugel who is serious without being dull.

From the Spectator.

CITOYENNE JACQUELINE.* THE Conception of condensing the Great French Revolution into a novel concerning an individual woman's lot must seem at first sight almost as bold as that of condensing the lightning into a conductor of individual messages, or compelling the ocean to carry a single boat wherever its owners will. There is a largeness in the machinery which "The hotel, like the political meeting, is seems too great for the individual purpose at once an opportunity for and an occasion to which it is applied, and perhaps the artisof social intercourse; life is too busy in the tic enterprise is really bolder than the sciWest for those social relations which re-entific, for if you undertake to paint "a woquire leisure, which demand a disinterested taste for abstract things, a half serious, half frivolous eagerness in the pursuit of some conventional ideal. Democratic roughness

man's lot in the Great French Revolution,"

*Citoyenne Jacqueline; a Woman's Lot in the Great French Revolution. By Sarah Tytler. 3 vols. London: Strahan,

caste which asserts itself in her after marriage with her father's steward, the regis trar of Faye, are finely drawn, and the contrast between her real refinement and the artificial refinement of the brilliant Madame de Croi, who carries off her lover from her, is thoroughly artistic. Madame de Croï is a girl little older than herself, also of a noble family, who had married a rich old bourgeois for his money (afterwards confis

there is always the same difficulty that the figure-painter has in dealing with a too magnificent landscape as his background, the fear lest either the individual figures be lost in the grandeur of the scene, or the grand features of the scene be dwarfed or distorted in order to give sufficient prominence to the individual figures. Miss Tytler has felt this difficulty, and there are perhaps here and there in this beautiful and finished story chapters in which the histor-cated), and was left a widow while yet in ic picture of the events of the time is a little too extended. But on the whole she has surmounted it with great success, the rather that she specially excels in that grouping and colouring of country and city pictures which in a great degree supersedes the necessity of little résumés of events by letting the course of events indicate itself in the gossip of humble persons. At all events the interest of the individual tale is never absorbed in the interest of the great tragedy, and again, we are never in danger of forgetting that that tragedy was made up of thousands and thousands of similar individual trials, as the sea itself is but an aggregate of waves.

the

the sketches of character

Not only is the tale one of deep interest, and of great pictorial power in reference to and the society it depicts, but scenery it is long since we have read any in which all for the most part slight are more delicately outlined or sustained with more uniform skill. Miss Tytler is fair to every class, and has given us good instead of bad specimens of almost all the classes engaged in the Great Revolution without concealing the radical weakness and selfishness which undermined their strength. The sketch of the Baron and Baronne de Faye, of their full-dress manners and highly preserved etiquettes in the dull little Tour de Faye, Monsieur going every evening between five and six to kiss Madame's hand and play cards with her and her daughter till supper was served, and of the genuinely high-bred courage, the gallantry of heart that still lingered under this stiff moral brocade in both the Baron and his wife, is graphic, and at least like truth, if, from want of any intimate knowledge of the old French noblesse, we cannot properly assert that it is true. The young lady and heroine, Jacqueline, Demoiselle de Faye, is, as young ladies and heroines are apt to be, less definite, and perhaps Miss Tytler's least successful character. But even in her the youthful enthusiasm for the nation, the true disinterestedness and nobility of mind before she abandons her own class, and again, the technical nobility of

her teens. She has culture and brilliancy, but has none of the noble ideas which just redeemed some few among the higher aristocracy of old France. One of the best touches in the book is that soliloquy in which the Baroness de Faye contrasts the artificial brilliancy of Madame de Croï with the nobility of her own daughter's nature, much as she affects to despise its deeper and more enthusiastic side:-.

"There was one person, and only one, present who formed a more correct estimate than her circle of the conflicting claims of Jacqueline and Petronille. It was not Babette; for although she loved her young mistress early, and ground her strong white teeth at this issue, she too regarded Madame de Croï as by far the finer woman — very nearly as fine as the lady in the caravan from Alsace. Was it wonderful that the judge who decided in Jacqueline's favour-not out of partiality, but in good faith - was Madame de Fave? Monsieur the Baron might have his doubts, bewildered and dazzled as men are liable to be; Madame had none. 'What does the woman fear for?' she began her reflections deliberately, apostrophizing Madlife? It does not merit the trouble of being ame de Lussac. 'Her own paltry spark of a blown out, any more than that of her reader, Mademoiselle Troche. They will soon go out of themselves, poor women! if the people will only have patience. She might have more to think of. What! a daughter born a Lussac, by marriage a Croï, and with a taint that is cousin-german to vulgarity! Nevertheless it is so. My Jacqueline is an awkward, unformed child, who may be anything yet. The worst is, she herself with it, like a saint in the middle ages. will believe in the whole world and embroil But in that there is not a shade of vulgarity. Petronille de Croï is like a financier's daughter: she seeks to shine, she struggles to rule. Ah! how low that is! She is a liar, in look and act, in assuming the tournure and costume of the old régime. We others governed because we could not help it. We ruled without effort or design. We scorned to conceal our worst sins.

For you,

We were grand dames to the last.
nille de Croi's dot will maintain you in exile
my Chevalier, I can follow your game. Petro-
now that Jacqueline de Faye's domain is des-
tined beyond remedy to confiscation.
Good.
Petronille's heart is also favourable to you, for

you will prove a better chevalier than the Marquis to conduct her to England, and thus prevent hazard and ennui. She may marry you. Ah! well, I forgive you, my cousin. Every man must have care for himself, and the very Chapter of the Knights of Malta is dissolved. I forgive you for everything but being actually light-headed for this Petronille's smile and fayour. Chut! I hear the creaking of the joints of the young woman's mind. But men have thick heads and dull brains. They cannot always tell the pewter from the silver, or see that peacocks are not birds of paradise. They have a shade of vulgarity themselves. We are oth

erwise."

There seems to us real genius in this passage. The aristocracy of self-reliant sereniity looking down on the glitter of mere clever effort, and saying to itself, with French vivacity, "Chut! I hear the creaking of the joints of the young woman's mind!" is a touch worthy of any novelist however great. But if Miss Tytler is thoroughly fair to the greater qualities even of the effete aristocracy wiped out by the Revolution, she is more than fair to the qualities of the class which superseded, and deserved to supersede, them in the rural districts. In the innkeeper of Faye and her son, La Sarte and Michel, we have a fine picture of the noblest qualities which are needed to form the nucleus of a healthy and simple society, without any sort of idealism or Arcadian extravagance. La Sarte, with all her depth of faith and pride of simplicity, is no angel, and cannot easily bear to renounce the influence she has exercised as a wealthy innkeeper in a poor village, nor can she bend to offer voluntarily any sympathy to the Demoiselle de Faye in the sacrifices which the latter takes upon herself when she enters a sphere beneath her own, and becomes her daughter-in-law. The picture of La Sarte ignoring all the confusion which her unpractised and unhappy daughter-in-law introduces into the village inn by her ignorance and negligence, rather than volunteer her help and sympathy, much as she loves to counsel and reprove those who spontaneously come to her for advice, is as well conceived as is her proud injunction to her favourite son, the Girondist deputy for Faye, to put a stop to the bloodshed of the Convention, when he and his party had in fact fallen from power and were just about to suffer for their comparative moderation. The sketch, slight though it be, of the intrinsic nobility and consequent serenity in these plebeians of the Sarte family, of the far deeper root which this moral nobility has in them than any which the hereditary rank

of Monsieur and Madame de Faye could strike into the thin soil of the old aristocratic ideas, combined as it is with a very graphic picture of the peculiar, and so to say frosted, charm, which a long hereditary serenity and the comparatively artificial sentiment of noblesse oblige' give to the manners of Monsieur and Madame, is subtle and very effective. Nor is the sketch of the kindly bourgeois family at Paris, the rich mercer Durand and his people, so far inferior in true nobility even to the statelier peasantry owing to a certain want of fixity of status and simplicity of position, less striking. The pompous and good-natured father, with his pompous republican ferocity, his shopkeeper's thrift, shopkeeper's vanity, and personal kindliness; the pretty daughter, Felicité, who is not exactly a flirt, but so much dislikes to give pain that she cannot throw off either of two men who love her, and does her best to satisfy both; the neglected and eccentric little romp Olympe, with her girlish passion for her sister's lover and the diablerie which great talents and high spirits kept down by repressive neglect is almost sure to inspire in young French girls, are all outlined with a masterly hand.

All these sketches are fine, and not less so are the general and still slighter sketches of revolutionary life in the provinces and in Paris. The various village characters of the hamlet of Faye are especially happy, and even to the worst of all, the village butcher Sylvain, with his deep melancholy eyes and insatiable thirst for the bloodiest gratifications of revolutionary ferocity, the author does not deny that touch of human nature which renders him conceivable as a man as well as a demon. We must give one specimen of Miss Tytler's village conversations. The Revolution is at its darkest, and the hamlet of Faye, its church gutted and closed, worship and mass forbidden, and tenth days substituted for the Sunday, does not find itself happier for the reign of Reason:

"Next day an old woman, with her distaff in the bosom of her gown, went along spinning, and driving her red cow before her, from the banks of the Mousse, where, by dint of great assiduity, it had managed to get a few wisps or blades. She looked up, and began to wag her head gravely, as she approached the churchyard gate. It was closed, but clearly not for pulled up and broken into fragments, like the preservation of property. The crosses were woodwork of the little church close by, and neither white ribands nor immortelles rested on the grave of virgin or patriarch. Over the gate was painted, in big, staring, white letters,

the

beautiful here, if only folk did not tell us lies.'

'Death is an everlasting sleep.' Here was the explanation of the shut door. The old woman ..' But look you, there comes Mother Julwas very old, and brown, and shrivelled. To liene, whose son was only a little child.' - The all appearance it could not be long ere she slept old gadding slattern of the hamlet was a sorry her everlasting sleep. The idea, however, sight. Not only were her arms empty of the seemed to fill her with lively dissatisfaction. A meagre child, but they were tossing distractedly second and younger woman, noticing the first, about her head, from which she had torn her walked down the street and joined her. The cap, together with handfuls of her grizzled two stood still at the locked gate, while the red hair. The bones were staring at each other cow went discreetly on to quench its thirst at above her hollow cheeks, and her ferret eyes the fountain trough. A fine thing now,' said were glazed and wild. Why does that great the older woman, after me and my old man beast Jullien not take up my child and give him have lived together these forty years, to tell us consecrated burial?' she raged, in a hoarse that when our time comes we are to fall asleep voice. But Jullien is so swollen he cannot and not even dream of each other, - bah!'- dig. I will rather scratch away the earth with And my little son Alex,' replied the younger, my nails.'-'Softly, softly, La Jullienne, the 'who was drawn for the army, and has marched child rests under the shadow of the church. to the ends of the earth, and who may be shot There is no better grave in France now,' said passing through some hedge and die in a ditch Mother Beaujeu.And he was but a little -they will tell me he will have gone to sleep and thing,' added the other woman, grudgingly will have no awaking. I need not care to go to preoccupied with her own trial; he had not sleep, for I shall have no awaking either; and I worked for you, nor even spoken to you.'suppose they would say I need not pray, be-Silence! or I strike you,' screeched Mother cause God is also asleep!'-' Death! if that were Jullienne. What do you know of it, wife of the case, what would the common people do?' Huc the younger you whose Alex was idle For that matter, what would the great peo- many a time, and was turned back from his ple do?' — 'Ah! the great people have had confirmation for killing quails when he should their day, and now it is their night; the holy have been ringing the bells? Or you, Mother saints help them! I bear them no spite, poor Beaujeu, whose old Simon is like a crab apple, souls! But my faith! if they call this liberty, and you and he spit at each other like cats when they do not give us the liberty of another Ah! I have seen you, Mother Beaujeu, yoked world, I would like better to want their liberty, side by side with an ox, and even an old grey I would!'. The salt tax and roadmaking ass, and your man driving you. No wonder were not half so bad, not even purgatory and you bray! the dread of hell itself.'-'No indeed! They have your plagues sleeping for ever, and so still left us heaven, and the good God, and our would the whole world, for that. But my inLord and Saviour, the Virgin and the Saints, nocent little child, what do I know but that if to interpose for us. One never knew where a he had lived he might have been a great farm. blessing might not come from. But this sleep, er, buying up the lands, like Maître Michel? it crushes us like lead.'-'La Jullienne takes on And now that he is dead, to be told that he will worst of all for her baby. They say she will never wake up again, I tell you it makes me go mad if something is not done.' - -Go! she mad.'" was always a lunatic, La Jullienne. What is her baby, which lay in her bosom for only a year, to my man, who has driven the cow there

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the prodigal beast! - with me, and helped to milk her too, and dug, and thrashed, and ate, and drank, and prayed with me for nearly half a century?'Or to my little son, who kept the vintage so well, and was affianced to the good Jeanneton, the best girl in Faye. Oh! well, it is hard; but for mother Jullienne,fy! do not speak of her in comparison.'- 'La Sarte used to say, every one's trial was the worst trial to that man or woman'-'La Sarte knows; she is a wise woman. I esteem La Sarte; wish her good luck of her stay in Paris with her son, the famous deputy. But La Sarte did not live with her man for forty-seven years. Father Sarte died when the famous deputy was a baby himself, I remember. The honest man departed on the fête of St. Hilaire. Ouf! I forget there is no St. Hilaire; there is nothing but the sun yonder, and he goes to bed in his turn. They hold up that sleep as if it were a blessing. I don't want to sleep unless I am to awake again. Though I do have the rheumatism, I can bear it; for there are many things

You two would be well at ease to

The whole novel is rather a sketch than a painting, its outlines delicately touched, the stir and tempest in the air and sky faithfully rendered, the hope and the despair gleaming like stormy sunlight or forked lightning over the individual characters, exture sounded even to such depths as fiction, pression never wanting, but no single nain skilful hands like Miss Tytler's, might safely go. Still every stroke in the sketch is refined, and almost every stroke tells. It is a story that not only interests us in the perusal, but that interests us still more in turning over the leaves a second and a third time, to catch the touches which we had missed in the first interest of the tale. There is vivacity as well as perfect clearness in the styie, pathos that speaks through the sense of beauty, and therefore shows no strain or effort in its sentiment, and a depth of insight into all forms of enthusiasm, even when distorted into the foulest cruelty, which

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