Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 pagina's |
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Pagina 40
... novel , for example , which is primarily a work of social protest may also constitute a tragedy . Every feature of a given work should be recognised and commented upon . Genre Divisions Narrative fiction , drama and poetry are the three ...
... novel , for example , which is primarily a work of social protest may also constitute a tragedy . Every feature of a given work should be recognised and commented upon . Genre Divisions Narrative fiction , drama and poetry are the three ...
Pagina 41
... narrative point of view . Because narrative fiction is basically a story which is written down and therefore ' told ' , the manner of the ' telling ' is of great importance to the total effect of the work . The story- teller is the ...
... narrative point of view . Because narrative fiction is basically a story which is written down and therefore ' told ' , the manner of the ' telling ' is of great importance to the total effect of the work . The story- teller is the ...
Pagina 48
... narrative . The ambiguities and ironies often cancel one another out and insist on the meaninglessness or futility , if not merely the impossibility , of understanding . Yambo ... Literature Aesthetic Elements of Narrative Fiction.
... narrative . The ambiguities and ironies often cancel one another out and insist on the meaninglessness or futility , if not merely the impossibility , of understanding . Yambo ... Literature Aesthetic Elements of Narrative Fiction.
Inhoudsopgave
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
Copyright | |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Geen voorbeeld beschikbaar - 1981 |
Veelvoorkomende woorden en zinsdelen
actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats