The Technique of English Non-dramatic Blank VerseFolcroft Press, 1970 - 129 pagina's |
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Pagina 39
... style is jerky , disjointed , and rough ; the second , flowing , continuous , and smooth . In the latter a phrase , in the largest sense of the word , may run through several or even many lines . Milton is preeminent for this ability ...
... style is jerky , disjointed , and rough ; the second , flowing , continuous , and smooth . In the latter a phrase , in the largest sense of the word , may run through several or even many lines . Milton is preeminent for this ability ...
Pagina 220
... styles of verse here treated may be considered to represent three levels in development , and in a sense the history , of English versification . The first style with its dependence upon music is essentially primitive . Just as it must ...
... styles of verse here treated may be considered to represent three levels in development , and in a sense the history , of English versification . The first style with its dependence upon music is essentially primitive . Just as it must ...
Pagina 221
... style . The victory of the second style had made verse an independent art , but an art very limited in scope . The later attempt has been to enrich the rhythmical possibilities of verse without making it again dependent upon music . On ...
... style . The victory of the second style had made verse an independent art , but an art very limited in scope . The later attempt has been to enrich the rhythmical possibilities of verse without making it again dependent upon music . On ...
Inhoudsopgave
SIMPLE PHRASING | 11 |
VARIATION OF THE UNSTRESSED SYLLABLE | 23 |
PAUSES | 29 |
Copyright | |
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alliteration anacrusis Ancient Mariner balance ballad meter blank verse caesura CHAPTER common considered consonants couplet definite dipodic verse dissyllabic verse division effect English verse Essay on Criticism euphony examples fact feel five-foot line foot four free verse frequently heavy unstressed syllables iambic illustrated important internal rime Kipling language latter light stressed syllables line groupings line structure loSo lyrical marked Masefield's means merely metrical pause metrical structure metrical variation metrist monosyllabic feet monotonous natural number of syllables occur onomatopoetic ordinarily ordinary oSol ottava rima passage phonetic phrases poem poetic poetry poets Pope possible practice printing prose quatrain reader refrain regular represented rhythm Richard III rime scheme sense pause sestet song sonnet sound speech Spenserian stanza stanza stanzaic style ta-tumm tercet thee thou tion trisyllabic feet trisyllabic substitution trisyllabic verse trochaic unrimed usage variation varied variety verse paragraph versification vowel words writing