The Technique of English Non-dramatic Blank VerseFolcroft Press, 1970 - 129 pagina's |
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Pagina 37
... rhythm , and Honor , riches , marriage - blessing Tempest , IV , 1 , 106 . conversely , to show falling rhythm . Restating in terms of phrasing , we can say that in rising rhythm phrases with the principal stress at the end ( e.g. , oS ...
... rhythm , and Honor , riches , marriage - blessing Tempest , IV , 1 , 106 . conversely , to show falling rhythm . Restating in terms of phrasing , we can say that in rising rhythm phrases with the principal stress at the end ( e.g. , oS ...
Pagina 38
... rhythm rising , falling , neutral — is in full sway : - How shall ever one like me Win thee back again ? With the ... rhythm , and yet Shakespeare could write in blank verse : O villain , villain , smiling , damned villain ! and Keats ...
... rhythm rising , falling , neutral — is in full sway : - How shall ever one like me Win thee back again ? With the ... rhythm , and yet Shakespeare could write in blank verse : O villain , villain , smiling , damned villain ! and Keats ...
Pagina 139
... rhythm : Out beyond the sunset , could I but find the way , Is a sleepy blue laguna which widens to a bay , And there's the Blessed City- so the sailors say The Golden City of St. Mary . The first three lines are obviously dipodic fours ...
... rhythm : Out beyond the sunset , could I but find the way , Is a sleepy blue laguna which widens to a bay , And there's the Blessed City- so the sailors say The Golden City of St. Mary . The first three lines are obviously dipodic fours ...
Inhoudsopgave
SIMPLE PHRASING | 11 |
VARIATION OF THE UNSTRESSED SYLLABLE | 23 |
PAUSES | 29 |
Copyright | |
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alliteration anacrusis Ancient Mariner balance ballad meter blank verse caesura CHAPTER common considered consonants couplet definite dipodic verse dissyllabic verse division effect English verse Essay on Criticism euphony examples fact feel five-foot line foot four free verse frequently heavy unstressed syllables iambic illustrated important internal rime Kipling language latter light stressed syllables line groupings line structure loSo lyrical marked Masefield's means merely metrical pause metrical structure metrical variation metrist monosyllabic feet monotonous natural number of syllables occur onomatopoetic ordinarily ordinary oSol ottava rima passage phonetic phrases poem poetic poetry poets Pope possible practice printing prose quatrain reader refrain regular represented rhythm Richard III rime scheme sense pause sestet song sonnet sound speech Spenserian stanza stanza stanzaic style ta-tumm tercet thee thou tion trisyllabic feet trisyllabic substitution trisyllabic verse trochaic unrimed usage variation varied variety verse paragraph versification vowel words writing