Lectures chiefly on the dramatic literature of the age of ElizabethJ.B. Lippincott, 1821 - 218 pagina's |
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Pagina 13
William Hazlitt. time , and is distinguished from his immediate contemporaries , not in kind , but in degree and greater variety of excellence . He did not form a class or species by himself , but belonged to a class or species . His age ...
William Hazlitt. time , and is distinguished from his immediate contemporaries , not in kind , but in degree and greater variety of excellence . He did not form a class or species by himself , but belonged to a class or species . His age ...
Pagina 18
... berless more of the same kind , to pass over the Orphic hymns of David , the prophetic denuncia- tions of Isaiah , or the gorgeous visions of Eze- 66 kiel , an originality , a vastness of conception 18 GENERAL VIEW OF THE SUBJECT .
... berless more of the same kind , to pass over the Orphic hymns of David , the prophetic denuncia- tions of Isaiah , or the gorgeous visions of Eze- 66 kiel , an originality , a vastness of conception 18 GENERAL VIEW OF THE SUBJECT .
Pagina 40
... hardly a memo- rable line or passage ; as a work of art , and the first of its kind attempted in the language , it may be considered as a monument of the taste and skill of the authors . Its merit is confined to 40 ON LYLY , MARLOW ,
... hardly a memo- rable line or passage ; as a work of art , and the first of its kind attempted in the language , it may be considered as a monument of the taste and skill of the authors . Its merit is confined to 40 ON LYLY , MARLOW ,
Pagina 41
... kind to tempt him to err , and as he had not the impulse or resources within himself to strike out a new path , he merely adhered with modesty and caution to the classical models with which , as a scholar , he was well acquainted . The ...
... kind to tempt him to err , and as he had not the impulse or resources within himself to strike out a new path , he merely adhered with modesty and caution to the classical models with which , as a scholar , he was well acquainted . The ...
Pagina 43
... kind and fear of Gods ? Murders and violent thefts in private men Are heinous crimes , and full of foul reproach ; Yet none offence , but deck'd with noble name Of glorious conquests in the hands of kings . " The principal characters ...
... kind and fear of Gods ? Murders and violent thefts in private men Are heinous crimes , and full of foul reproach ; Yet none offence , but deck'd with noble name Of glorious conquests in the hands of kings . " The principal characters ...
Overige edities - Alles bekijken
Lectures Chiefly on the Dramatic Literature of the Age of Elizabeth (1821) William Hazlitt Geen voorbeeld beschikbaar - 2009 |
Veelvoorkomende woorden en zinsdelen
admiration Æschylus affected age of Elizabeth Beaumont and Fletcher beauty Ben Jonson Boccacio breath character classical comedy common-place Cynthia's Revels D'Ol dead death Deckar delight doth dramatic Duchess of Malfy Duke Endymion Eumenides extravagant eyes faith fancy fate feeling fire flowers friends genius give grace hand hath head heart heaven Hodge honour human Hydriotaphia imagination imitation Jeremy Taylor Jonson kings kiss learning live look Lord Lover's Melancholy manner Michael Drayton mind moral Muse nature never Noble Kinsmen objects passage passion Petrarch play poet poetical poetry pride quincunxes racter Rhod romantic says scene Sejanus sense sentiment Shakespear shew Sir Rad Sir Thomas Brown Sophocles sort soul speak spirit striking style sweet taste thee there's thing thou thought tion tragedy true truth unto Witches woman words writers
Populaire passages
Pagina 27 - Your face, my thane, is as a book, where men May read strange matters : — To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under it.
Pagina 254 - But at my back I always hear Time's winged chariot hurrying near: And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song: then worms shall try That long preserved virginity: And your quaint honour turn to dust; And into ashes all my lust. The grave's a fine and private place, But none I think do there embrace.
Pagina 298 - But the sufficiency of Christian immortality frustrates all earthly glory, and the quality of either state after death makes a folly of posthumous memory. God who can only destroy our souls, and hath assured our resurrection, either of our bodies or names hath directly promised no duration. Wherein there is so much of chance, that the boldest expectants have found unhappy frustration ; and to hold long subsistence, seems but a scape in oblivion. But man is a noble animal, splendid in ashes, and pompous...
Pagina 222 - HENCE, all you vain delights, As short as are the nights Wherein you spend your folly ! There's nought in this life sweet, If man were wise to see't, But only melancholy ; Oh ! sweetest melancholy.
Pagina 253 - Had we but world enough, and time, This coyness, lady, were no crime. We would sit down and think which way To walk, and pass our long love's day; Thou by the Indian Ganges' side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the Flood; And you should, if you please, refuse Till the conversion of the Jews.
Pagina 294 - ... to subsist in bones, and be but pyramidally extant, is a fallacy in duration. Vain ashes, which, in the oblivion of names, persons, times, and sexes, have found unto themselves a fruitless continuation, and only arise unto late posterity as emblems of mortal vanities, antidotes against pride, vainglory, and madding vices!
Pagina 257 - Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Pagina 53 - At cards for kisses — Cupid paid; He stakes his quiver, bow and arrows, His mother's doves, and team of sparrows; Loses them too; then down he throws The coral of his lip, the rose Growing on's cheek (but none knows how), With these, the crystal of his brow, And then the dimple of his chin; All these did my Campaspe win. At last he set her both his eyes, She won, and Cupid blind did rise. O Love! has she done this to thee? What shall, alas! become of me? THE SONGS OF BIRDS What bird so sings, yet...
Pagina 224 - Like to the falling of a star; Or as the flights of eagles are; Or like the fresh spring's gaudy hue; Or silver drops of morning dew; Or like a wind that chafes the flood; Or bubbles which on water stood; Even such is man, whose borrowed light Is straight called in, and paid to night. The wind blows out; the bubble dies; The spring entombed in autumn lies; The dew dries up; the star is shot; The flight is past; and man forgot.
Pagina 59 - Her lips suck forth my soul! See where it flies; Come, Helen, come, give me my soul again. Here will I dwell, for heaven is in these lips, And all is dross that is not Helena.