The Theatre of Praise: The Panegyric Tradition in Seventeenth-century English DramaUniversity of Delaware Press, 1986 - 240 pagina's A critical examination of panegyrical theatre from its beginnings in the masque, city pageant, and history plays to its varied culmination on the Restoration musical stage. |
Inhoudsopgave
Preface | 6 |
Shakespeare and the Imperial Myth | 39 |
Reception and Dissemination | 74 |
Copyright | |
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The Theatre of Praise: The Panegyric Tradition in Seventeenth-century ... Joanne Altieri Gedeeltelijke weergave - 1986 |
The Theatre of Praise: The Panegyric Tradition in Seventeenth-Century ... Joanne Altieri Geen voorbeeld beschikbaar - 1986 |
Veelvoorkomende woorden en zinsdelen
action aesthetic Albion and Albanius allegorical antimasque Asaracus audience become Carew character Charles claims classical comedy comic conflict context course court masque courtly create Critical cultural dance Davenant Davenant's Dennis Descartes Dido and Aeneas drama Dryden effect effort elaborate emblematic emotional Empress of Morocco English epideictic essay expression figures French function Gordon harmony Henry VIII Henry's hero heroic play Holinshed Ianthe ideal imagination imitation Jacobean Jonson Jonsonian masque King Arthur language less literary London means Mercury mimetic mind Momus moral move musical theatre notion opera Orgel pageants passions Platonic play's pleasure plot poet poetry political praise Purcell question Renaissance representation Restoration rhetorical role romance Salmacida Spolia scene sense Seventeenth Century Shadwell Shakespeare Siege of Rhodes song soul stage Stephen Orgel Stuart Tatham Tempest theatre theatrical theme tion tradition tragedy Triumph Tyrannick Love University Press Venus virtue William Davenant writers
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