Pagina-afbeeldingen
PDF
ePub
[graphic][merged small][merged small][subsumed]
[blocks in formation]

little straw in the farthest corner of his dungeon, which was alternately his chair and bed; a little calendar of small sticks was laid at the head, notched all over with the dismal days and nights he had passed there; he had one of these little sticks in his hand, and with a rusty nail he was etching another day of misery to add to the heap. As I darkened the little light he had he lifted up a hopeless eye toward the door, then cast it down, shook his head and went on with his work of affliction. I heard his chains upon his legs as he turned his body to lay his little stick upon the bundle. He gave a deep sigh; I saw the iron enter into his soul. I burst into tears: I could not sustain the picture of confinement which my fancy had drawn.

H
T

LAURENCE STERNE.

(WRITTEN ABOUT 1505.)

HIS wavering warld's wretchedness,
The failing and fruitless business,
The misspent time, the service vain,
For to consider is ane pain.

near me, and that the multitude of sad THE VANITY OF EARTHLY THINGS. groups in it did but distract me, I took a single captive, and, having first shut him up in his dungeon, I then looked through the twilight of his grated door to take his picture. I beheld his body half wasted away with long expectation and confinement, and felt what kind of sickness of the heart it is which arises from hope deferred. Upon looking nearer I saw him pale and feverish; in thirty years the western breeze had not once. fanned his blood; he had seen no sun, no moon, in all that time, nor had the voice of friend or kinsman breathed through his lattice. His children

But here my heart began to bleed, and I was forced to go on with another part of the portrait.

He was sitting upon the ground upon a

The sliding joy, the gladness short,
The feigned love, the false comfort,
The sweir abade, the slightful train,
For to consider is ane pain.

The suggared mouths, with minds there fra,
The figured speech, with faces tway,
The pleasing tongues, with hearts unplain,
For to consider is ane pain.

WILLIAM DUNBAR.

PAULINE MARCH.

[graphic]

SELECTED FROM 'CALLED BACK."

[merged small][merged small][merged small][ocr errors][merged small]

"Chuck them to the beggars. Beware of miserly habits, Gilbert; they grow on one."

Knowing that Kenyon was not the man to abandon a choice Havana without a weighty reason, I did as he suggested, and followed him into the dim cool shades of San Giovanni.

T is spring-the beautiful | spring of Northern Italy. My friend Kenyon and II are lounging about in the rectangular city of Turin, as happy and idle a pair of comrades as may anywhere be met with. We have been here a weeklong enough to do all the sight-seeing demanded by duty. After lingering at our hotel some hazy destination prompts us to cross the great square, past the frowning old castle, leads us up the Via di Seminario, and we find ourselves for the twentieth time in front of San Giovanni. I stop with my head in the air admiring what architectural beauties its marble front can boast, and as I am trying to discover them am surprised to hear Kenyon announce his intention of entering the building.

"But we have vowed a vow," I said, "that the interior of churches, picture-galleries and other tourist-traps shall know us no more."

No service was going on. The usual little parties of sightseers were walking about and looking much impressed as beauties they could not comprehend were being pointed out to them. Dotted about here and there were silent worshippers. Kenyon glanced round eagerly in quest of "the fairest of all sights," and after a while discovered her.

66

Come this way," he said; "let us sit down and pretend to be devout. We can catch her profile here."

I placed myself next to him, and saw a few seats from us an old Italian woman kneeling and praying fervently, whilst in a

What makes the best men break their chair at her side sat a girl of about twenty

VOWS?"

"Lots of things, I suppose."

"But one thing in particular. Whilst you are staring up at pinnacles and buttresses and trying to look as if you knew architecture as well as Ruskin, the fairest of all sights, a beautiful woman, passes right under your nose."

two-a girl who might have belonged to almost any country. The eyebrows and cast-down lashes said that her eyes were dark, but the pure pale complexion, the delicate straight features, the thick brown. hair, might under circumstances have been claimed by any nation, although, had I met her alone, I should have said she was Eng

lish. She was well but plainly dressed, and her manner told me she was no stranger to the church. She did not look from side to side and up and down, after the way of a sightseer; she sat without moving until her companion had finished her prayers. So far as one could judge from her appearance, she was in church for no particular object, neither devotional nor critical. Probably she may have come to bear the old woman at her side company. This old woman, who had the appearance of a superior kind of servant, seemed, from the passionate appeals she was addressing to Heaven, to be in want of many things. I could see her thin lips working incessantly, and, although her words were inaudible, it was evident her petitions were heartspoken and sincere. But the girl by her side neither joined her in her prayers nor looked at her. Ever motionless as a statue, her eyes ever cast down, apparently wrapped in deep thought-and, I fancied, sad thought she sat, showing us the while no more of her face than that perfect profile. Kenyon had certainly not overpraised her. Hers was a face which had a peculiar attractiveness for me, the utter repose of it not being the least of that charm. I was growing very anxious to see her full face, but, as I could not do so without positive rudeness, was compelled to wait until she might chance to turn her head.

Presently the old Italian woman appeared to think she had done her religious duty. Seeing she was preparing to cross herself, I rose and sauntered down the church toward the door. In a few minutes the girl and her companion passed me, and I was able to see her to better advantage as she waited whilst the old woman dipped her fingers in the holy

water. She was undoubtedly beautiful, but there was something strange in her beauty. I made this discovery when for a moment. her eyes met mine. Dark and glorious as those eyes were, there was a dreamy, faraway look in them-a look that seemed to pass over one and see what was behind the object gazed at. This look gave me a curious impression, but, as it was only for a second that my eyes met hers, I could scarcely say whether the impression was a pleasant or an unpleasant one.

us.

The girl and her attendant lingered a few moments at the door; so that Kenyon and I passed out before them. By common consent we paused outside. The action may have been a rude one, but we were both anxious to see the departure of the girl whose appearance had so greatly interested As we came through the door of the church I noticed a man standing near the steps-a middle-aged man of gentlemanly appearance. He was rather round-shouldered and wore spectacles. Had I felt any interest in determining his station in life, I should have adjudged him to one of the learned professions. There could be no mistake as to his nationality: he was Italian to the backbone. He was evidently waiting for some one; and when the girl, followed by the old woman, came out of San Giovanni, he stepped forward and accosted them.

The old woman gave a little sharp cry of surprise; she took his hand and kissed it. The girl stood apparently apathetic. It was evident that the gentleman's business lay with the old servant. He spoke a few words to her; then, drawing her aside, the two walked away to some distance, under the shadow of the church, and to all appear

ance were talking earnestly and volubly, but ever and anon casting a look in the direction of the girl. As her companion left her she walked on a few paces, then paused and turned, as though waiting for the old woman. Now it was that we were able to see her perfect figure and erect carriage to full advantage. Being some little way off, we could look at her without committing an act of rudeness or indiscretion.

"She is beautiful," I said, more to myself than to Kenyon.

"Yes, she is, but not so beautiful as I thought. There is something wanting, yet it is impossible to say what it is. Is it Is it animation or expression?"

"I can see nothing wanting," I said, so enthusiastically that Kenyon laughed aloud.

"Do English gentlemen stare at their own countrywomen and appraise them in public places like this, or is it a custom adopted for the benefit of Italians?"

This impudent question was asked by some one close to my side. We turned simultaneously, and saw a tall man of about thirty standing just behind us. His features were regular, but their effect was not a pleasant one. You felt at a glance that a sneering mouth was curtained by the heavy moustache, and that those dark eyes and eyebrows were apt to frown with sullen anger. At present the man's expression was that of haughty arrogance a peculiarly galling expression, especially so, I find, when adopted by a foreigner toward an Englishman. That he was a foreigner it was easy to see, in spite of his perfectly-accented English.

A hot reply was upon my lips, but Kenyon, who was a young man of infinite re

[ocr errors]

source and well able to say and do the right thing in the right place, was before me. He raised his hat and made a sweeping bow so exquisitely graduated that it was impossible to say where apology ended and mockery began.

"Signor," he said, "an Englishman travels through your fair land to see and praise all that is beautiful in nature and art. If our praise offends, we apologize."

The man scowled, hardly knowing whether my friend was in jest or in earnest.

"If we have done wrong, will the signor convey our apologies to the lady? His wife? or shall I say his daughter?"

As the man was young, the last question was sarcastic.

"She is neither," he rapped out.
Kenyon bowed:

[blocks in formation]
« VorigeDoorgaan »