Creativity: Theory, History, PracticeRoutledge, 15 apr 2005 - 370 pagina's Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organised in four parts:
Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or 're-creative' ways. Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be. |
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... notions of concept creation. It also examines the complex history and extraordinary versatility of terms such as imagination, invention, inspiration and originality. ' Creation as myth, story, metaphor begins with modern re-tellings of ...
... notions of the inspired individual genius, the extraordinary mind, and the artist as outsider, even while acknowledging the historical force and continuing appeal of such notions; • to recognise that 'being creative' is, at least ...
... notion of 'recreation'), and thus resists casual notions of divine creation 'from nothing' or of purely spontaneous expression welling up from nowhere; • to explore the intimate and shifting relations between 'the creative' and 'the ...
... notions of divine creators and mythic moments of creation; a more recent, specifically human history framed chiefly in ... notion of 'creativity' taken over from the earlier divine and sublime senses of 'creation'? What are we to make of ...
... notion of 'the creative author' (Fowler [1987] 1990: 46): Post-structuralist criticism, in its concern with the ... notions of creation. One could just Creativities old, new and otherwise 9.
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