B−lar−mabharatam: A Critique on Dance and DramaKeralasamskritam Publications, 1983 - 347 pagina's |
Inhoudsopgave
Introduction | 13 |
CHAPTER ITHE AUTHOR AND HIS WORKS | 19 |
THE NĀȚYA LITERATURE | 44 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Abh bh abhinaya actor Adbhuta Adibharata Alapadma angas anger Angika Angikābhinaya Application art-forms Atman Bharata Bharata says Bharatanatyam bhāva Bhayanaka Bibhatsa Brahma breath Calita called chapter context curved dance defines definition described discussion division drama Drstis enumerated explained eyebrows eyelids eyes face feet fingers gait gestures gita glance hands Hastas Hasya head-gestures Ibid Indian Indication Kampita Kapila Vatsyayan karaņas Kārtikatirunāl Kathakali Kerala khandana kinds Kopa kṛtvā Kuncita limbs lips looking Maharaja Malayalam mentioned Mohiniyattam movements moving namely Nandikeśvara Natya Nṛtta Nṛttahastas pose Pratyangas preceptors produced pupils rāga raga and tāla Raghavan raised Raja rasa rasa and bhāva Raudra relation Sangita Sanskrit sentiments shaken side Sikhara Śiva Skandha slightly sound Srigāra stanza supra tala Tandava texts under reference thumb Travancore Trivandrum Udvāhita Ullur Upangas vadya Vakra varieties Varma verse VIII viniyogas Vira word yadi

