Rhythmic Structure in Iranian MusicAzadehfar, 2006 - 362 pagina's |
Inhoudsopgave
OPENING STATEMENT | 1 |
INTRODUCTORY CHAPTER | 15 |
PERCEPTION AND THE CONCEPT OF GROUPING | 36 |
CONCLUSION | 46 |
THEORETICAL ASPECTS IN PERSIAN QUANTITATIVE | 52 |
CONTEMPORARY CATEGORISATION OF PERSIAN | 57 |
Chapter 2 | 67 |
THE DOCUMENTED RHYTHMIC CYCLES | 76 |
TAHRĪR | 201 |
CHAPTER 4 | 217 |
TASNĪF | 233 |
RENG | 245 |
CONCLUSION | 252 |
TECHNIQUE OF THE TOMBAK | 258 |
REPRESENTATION OF FIXEDMETRE PIECES | 269 |
ADAPTATION OF THE OLD RHYTHMIC CYCLES INTO | 276 |
GENERAL DISCUSSIONS AND CONCLUSION | 107 |
CHAPTER 3 | 117 |
THE RHYTHMIC STRUCTURE OF THE RADĪF | 151 |
SUMMARY AND CONCLUSION | 282 |
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Abd al-Qādir Abjad accent Adwār Afshāri al-Adwār al-Alḥān al-Sharafiyah analysis Arabic Arabic music Atānīn āvāz Azadehfar Bayāt beat Binesh chahārmezrāb chapter consonant darāmad dastgāh Djāmi Dobeytī duration Durrat al-Tāj Ethnomusicology example Fākhtī Figure fixed-metre free-metred genre Gereyli gūsheh gūsheh-ha Hazaj improvisation instrumental Iran Iranian classical music Iranian music Jāmī Kereshmeh Khafif long syllables Māhūr Massoudieh 2000 melodic melody type metric Mirzā Abdullāh Mokhammas motif music of Iran musicians naqarāt naqarāt on tombak naqareh notation Number of naqarāt payeh Persian language Persian music Persian poetry piece pīshdarāmad played poem poetic metre radif radīf of Mirzā radīf of Sabā ramal reng rhythm rhythmic cycles rhythmic pattern rhythmic phrase rhythmic structure Risālah Şafi santur Sāqī-nāmeh Shīrāzī shorts and longs Shūr song tahrīr Tanan Tanan Tananan Tananan Tan Tananan Tananan Tananan Tananan tasnīf technique Tehran thānī tombak tombak performance Track transcribed transcription Tsuge Turki vowels Zang-i shotor zarb