Christopher Marlowe: His Life and Work |
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Pagina 36
In post - Reformation societies there was so much that could not be said , so much that was inhibited , not merely in the realm of belief and doctrine , but in the more important , the more real , realm of the senses .
In post - Reformation societies there was so much that could not be said , so much that was inhibited , not merely in the realm of belief and doctrine , but in the more important , the more real , realm of the senses .
Pagina 64
Our critic comments that it is only the primary and strong tones that Marlowe opts for : ' his is not a subtle colour - sense . In all the range of both parts of Tamburlaine he speaks only of blood - red , black , gold , crystal ...
Our critic comments that it is only the primary and strong tones that Marlowe opts for : ' his is not a subtle colour - sense . In all the range of both parts of Tamburlaine he speaks only of blood - red , black , gold , crystal ...
Pagina 128
... to come was but in embryo in the Henry VI plays , and yet there are indications of what might be - fine passages of dramatic poetry , an instinctive sense of scene , of dramatic exchanges in character , a sense of sombre tragedy .
... to come was but in embryo in the Henry VI plays , and yet there are indications of what might be - fine passages of dramatic poetry , an instinctive sense of scene , of dramatic exchanges in character , a sense of sombre tragedy .
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