Biographia Literaria, Volume 1Clarendon Press, 1907 - 334 pagina's These two volumes are a reprint of the edition of 1817 with additional material to clarify the text. It includes Coleridge's aesthetical writings; notes on the text; and an introductory essay about his theory of imagination. |
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Pagina v
... poems , and the Biographia Literaria itself ; and even of this material a considerable portion is yet in manuscript . In availing myself of the published sources , I have endeavoured to base my conclusions on the evidence before me ...
... poems , and the Biographia Literaria itself ; and even of this material a considerable portion is yet in manuscript . In availing myself of the published sources , I have endeavoured to base my conclusions on the evidence before me ...
Pagina vii
... poems of fancy and imagina- tion - The investigation of the distinction important to the fine arts CHAPTER V. - On the law of association — Its history traced from Aristotle to Hartley • 19 · 34 · 50 65 L CHAPTER VI . - That Hartley's ...
... poems of fancy and imagina- tion - The investigation of the distinction important to the fine arts CHAPTER V. - On the law of association — Its history traced from Aristotle to Hartley • 19 · 34 · 50 65 L CHAPTER VI . - That Hartley's ...
Pagina ix
... poem and poetry with scholia HAPTER XV . The specific symptoms of poetic power elucidated in a critical analysis of Shakespeare's Venus and Adonis , and Lucrece CHAPTER XVI . - Striking points of difference between the Poets of the ...
... poem and poetry with scholia HAPTER XV . The specific symptoms of poetic power elucidated in a critical analysis of Shakespeare's Venus and Adonis , and Lucrece CHAPTER XVI . - Striking points of difference between the Poets of the ...
Pagina xiv
... poem or passage was derived ' , as a criterion of the merits of the poem in question.1 In the years following his matriculation at Cambridge , Coleridge's interests were too many and too diverse to allow of remarkable achievement in any ...
... poem or passage was derived ' , as a criterion of the merits of the poem in question.1 In the years following his matriculation at Cambridge , Coleridge's interests were too many and too diverse to allow of remarkable achievement in any ...
Pagina xvi
... period contained in the Biographia Literaria may be added the 1 Biog . Lit. i . 98 . 2 Coleridge settled at Nether Stowey on Dec. 30 , 1796 . 3 Biog . Lit. i . 135 . evidence of the poems which belong to it . These xvi Introduction.
... period contained in the Biographia Literaria may be added the 1 Biog . Lit. i . 98 . 2 Coleridge settled at Nether Stowey on Dec. 30 , 1796 . 3 Biog . Lit. i . 135 . evidence of the poems which belong to it . These xvi Introduction.
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absolute appear association become Biog Biographia Literaria cause chapter Christ's Hospital Coleridge's commencement common conception consciousness criticism deduced Descartes distinction divine doctrine edition effect equally Essay existence express faculty fancy feelings genius German ground Hartley Hartley's heart human idea images imagination impressions infinite instance intellect intelligence intuition Jacobinism judgement Kant Kant's knowledge Kuno Fischer language least lectures Leibnitz less Letters lines literary Lyrical Ballads meaning mechanical philosophy memory ment metaphysical Milton mind moral Morning Post motives natural philosophy nature never notions object original passage phænomena philo philosopher Plato Plotinus poems poet poetic poetry present principles published reader reason Review S. T. Coleridge Sara Coleridge Schelling Schelling's SCHOLIUM self-consciousness sensation sense sonnets soul Southey Southey's Spinoza spirit Synesius theory things thought tion true truth understanding volume whole words Wordsworth writings καὶ τὸ
Populaire passages
Pagina 215 - Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
Pagina lxvii - The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM...
Pagina xl - Risest from forth thy silent sea of pines How silently ! Around thee and above Deep is the air, and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge! but when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity! 0 dread and silent mount! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought: entranced in prayer 1 worshipped the Invisible alone.
Pagina xxxvii - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
Pagina 202 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create: or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
Pagina xxxvii - I been gazing on the western sky, And its peculiar tint of yellow green: And still I gaze — and with how blank an eye! And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel, how beautiful they are!
Pagina 4 - I learned from him, that poetry, even that of the loftiest and, seemingly, that of the wildest odes, had a logic of its own, as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more, and more fugitive causes.
Pagina 12 - Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and Pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
Pagina xxxvii - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
Pagina 125 - Who, too deep for his hearers, still went on refining, And thought of convincing, while they thought of dining...