Missing Links: Arts, Religion and RealityJonneke Bekkenkamp LIT Verlag Münster, 2000 - 198 pagina's Are there "missing links", links that are "easy to miss" between art and religion and between the ways in which they respond to or partake of reality? The hypothesis of this anthology is that these in fact do exist and its authors explore these links on the basis of a specific text or oeuvre, a specific artwork or exhibition. Following an introductory essay exploring the discussion on relating art and religion, there are artides on Jannis Kounellis and Andrew Forster, on plays by William Shakespeare, Gerard Jan Rijnders and Anny van Hoof, on an exhibition curated by Julia Kristeva. There is an analysis of a novel by Frederic Buechner and one of the autobiographical writings of Dorothy Day. Poems of M. Vasalis and Judith Herzberg are considered, along with the music of Olivier Messiaen and Plato's dialogue 'Sophist'. |
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Pagina iii
... John the Baptist as Object of Art 71 PART II Revealing Things Hidden 5 Henry Jansen : Frederick Buechner's Godric . Art , Religion , and Reality 89 6 Markha G. Valenta : In Fear and Trembling of Abstraction : Dorothy Day and Jacques ...
... John the Baptist as Object of Art 71 PART II Revealing Things Hidden 5 Henry Jansen : Frederick Buechner's Godric . Art , Religion , and Reality 89 6 Markha G. Valenta : In Fear and Trembling of Abstraction : Dorothy Day and Jacques ...
Pagina 5
... John the Baptist as revealed in the exhibition material . The manner in which this decapitation was portrayed in turn - of - the - century art and literature reveal three significant shifts relative to the Biblical accounts of Mark and ...
... John the Baptist as revealed in the exhibition material . The manner in which this decapitation was portrayed in turn - of - the - century art and literature reveal three significant shifts relative to the Biblical accounts of Mark and ...
Pagina 30
... John Evelyn . 12 Esman and Fuchs 129 . 13 Esman and Fuchs 28 . 14 Esman and Fuchs 36 . 15 Esman and Fuchs 36 . 16 Esman and Fuchs 123 . 17 Paul Depondt , " Dat is angst voor kunst , " De Volkskrant ( 10 May 1996 ) . 18 Esman and Fuchs ...
... John Evelyn . 12 Esman and Fuchs 129 . 13 Esman and Fuchs 28 . 14 Esman and Fuchs 36 . 15 Esman and Fuchs 36 . 16 Esman and Fuchs 123 . 17 Paul Depondt , " Dat is angst voor kunst , " De Volkskrant ( 10 May 1996 ) . 18 Esman and Fuchs ...
Pagina 33
... John Nepomuk in Munich ( 1733 ) in which the organization of the space literally creates a position for the spectator within the scene represented . " Standing in the dark , the visitor looks up into an enclosed space behind an arch ...
... John Nepomuk in Munich ( 1733 ) in which the organization of the space literally creates a position for the spectator within the scene represented . " Standing in the dark , the visitor looks up into an enclosed space behind an arch ...
Pagina 34
... John in Munich accomplishes in stone : in opposing God to " I " , they establish a relationship from which they can begin to comprehend their own position , that is , a position from which they can begin to comprehend themselves . Sin ...
... John in Munich accomplishes in stone : in opposing God to " I " , they establish a relationship from which they can begin to comprehend their own position , that is , a position from which they can begin to comprehend themselves . Sin ...
Veelvoorkomende woorden en zinsdelen
according Adorno Andrew Forster argues art and religion artistic attempts audience become Benjamin biblical Buechner catalogue Catholic Worker century character characterized Christian colors contemporary critical culture dance Day's dialogue discussion divine Dorothy Day éblouissement Eleatic visitor Erik Borgman existence experience faith fiduciarity Flaubert Foucault Frederick Buechner Fuchs Gianni Vattimo Godric Heidegger Herod Herodias Heyendaal human images imagination interpretation Jacques Derrida Jannis Kounellis John the Baptist John's Judith Herzberg Julia Kristeva Klaagliederen Kristeva Levinas listener literature Long Loneliness look meaning Merchant Messiaen modern narrative niet Nijmegen novel object Olivier Messiaen Parmenides Pausin Johanna play poetry possible postmodern present question radical reading reality refers relation religion and art religious reveals ritual role sacrality Salome sense Shylock social Socrates speak specific stage story systematic writing T.S. Eliot Theaetetus Theodorus theology tion tradition trans Transfiguration translation Valenta Vasalis Vattimo words zijn
Populaire passages
Pagina 60 - Hath not a Jew eyes ? hath not a Jew hands, organs, dimensions, senses, affections, passions ? fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is ? If you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge 1 if we are like you in the rest, we will resemble you in that.
Pagina 49 - I hold the world but as the world, Gratiano ; A stage, where every man must play a part, And mine a sad one.
Pagina 73 - And when a convenient day was come, that Herod on his birthday made a supper to his lords...
Pagina 60 - Christian is ? if you prick us, do we not bleed ? if you tickle us, do we not laugh ? if you poison us, do we not die ? and if you wrong us, shall we not revenge ? if we are like you in the rest, we will resemble you in that. If a Jew wrong a Christian, what is his humility ? revenge ; If a Christian wrong a Jew, what should his sufferance be by Christian example? why, revenge. The villainy, you teach me, I will execute ; and it shall go hard, but I will better the instruction.
Pagina 54 - The most excellent Historic of the Merchant of Venice. With the extreame crueltie of Shylocke the Iewe towards the sayd Merchant, in cutting a iust pound of his flesh : and the obtayning of Portia by the choyse of three chests. As it hath beene diuers times acted by the Lord Chamberlaine his Seruants. Written by William Shakespeare.
Pagina 81 - I have kissed thy mouth. There was a bitter taste on thy lips. Was it the taste of blood ? Nay ; but perchance it was the taste of love. They say that love hath a bitter taste. But what matter? what matter? I have kissed thy mouth, lokanaan, I have kissed thy mouth.
Pagina 83 - When others too joined the crowds about him, because they were aroused to the highest degree by his sermons, Herod became alarmed. Eloquence that had so great an effect on mankind might lead to some form of sedition, for it looked as if they would be guided by John in everything that they did. Herod decided therefore that it would be much better to strike first and be rid of him before his work led to an uprising, than to wait for an upheaval, get involved in a difficult situation and see his mistake.
Pagina 73 - ... sedition, for it looked as if they would be guided by John in everything that they did. Herod decided therefore that it would be much better to strike first and be rid of him before his work led to an uprising, than to wait for an upheaval, get involved in a difficult situation and see his mistake. Though John, because of Herod's suspicions, was brought in chains to Machaerus, the stronghold that we have previously mentioned, and there put to death, yet the verdict of the Jews was that the destruction...