Thomas Hood and Nineteenth-Century Poetry: Work, Play and PoliticsManchester University Press, 2007 - 216 pages This is the first modern critical study of Thomas Hood, the popular and influential 19th century poet, editor, cartoonist, and voice of social protest. Acclaimed by Dickens, the Brownings, and the Rossettis, Hood's quirky, diverse output between 1820 and 1845 offers fascinating insights for Romanticists and Victorianists alike. Sara Lodge's book explores the relationship between Hood's playfulness, liberal politics, and contemporary cultural debate about labor and recreation, literary materiality, and urban consumption. Each chapter examines something distinctive of interdisciplinary interest, including: the early 19th century print culture into which Hood was born; the traditional, urban, and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood's trademark puns; theatre, leisure, and the "labor question." |
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Page 64
... shows him simultaneously occupying the position of respectful mute and comic undertaker . The literary annual was the dominant form in which poetry was disseminated during the later 1820s and 1830s . Small , decoratively bound and ...
... shows him simultaneously occupying the position of respectful mute and comic undertaker . The literary annual was the dominant form in which poetry was disseminated during the later 1820s and 1830s . Small , decoratively bound and ...
Page 162
Work, Play and Politics Sara Lodge. ' A Waterloo Ballad ' , shows the skeletal figure of death discharging coffins ... show the warped value system , inculcated linguistically through the commodification of virtue , into which Miss ...
Work, Play and Politics Sara Lodge. ' A Waterloo Ballad ' , shows the skeletal figure of death discharging coffins ... show the warped value system , inculcated linguistically through the commodification of virtue , into which Miss ...
Page 165
... shows a farmer with a pitchfork encountering a many - headed monster , a horde of ' demons ' , which also resembles a fire with many tongues ( Fig . 5.5 ) . One can read this cartoon in different ways . Hood could be suggesting that ...
... shows a farmer with a pitchfork encountering a many - headed monster , a horde of ' demons ' , which also resembles a fire with many tongues ( Fig . 5.5 ) . One can read this cartoon in different ways . Hood could be suggesting that ...
Table des matières
print dissent and the social society | 16 |
at the London Magazine and after | 39 |
the audience as subject | 73 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Thomas Hood and Nineteenth-Century Poetry: Work, Play and Politics Sara Lodge Aucun aperçu disponible - 2007 |
Thomas Hood and Nineteenth-Century Poetry: Work, Play, and Politics Sara Lodge Aucun aperçu disponible - 2013 |
Expressions et termes fréquents
advertisement animal audience Ballad become body body-snatchers Byron century Charles Lamb Cockney comedy Comic Annual London commercial common context contributors critical critique culture death Dickens Dickens's dramatic monologue Dream early Eugene Aram figure genre George Cruikshank Glasite grotesque grotesque art grotesquerie Hazlitt Hood's comic Hood's poems Hood's poetry Hood's punning Hood's writing human illustration imagery John Clare John Hamilton Reynolds joke Joseph Grimaldi Keats Keats's kind labour Lamb's language letter Lion's Head literal literary literature London Magazine Lycus Mermaid Miss Kilmansegg nineteenth nineteenth-century Odes and Addresses Oxford parody performance period Peter play pleasure poet poetic political popular production prose published reader reading repressed reprinted Romantic Sally Brown sketch social Society Song Sonnet suggests tesque theatre theatrical Thomas Griffiths Wainewright Thomas Hood tion traditional trope University Press verbal Vernor Victorian visual voice vols London W.H. Auden Whims and Oddities William words Wordsworth Workhouse