Thomas Hood and Nineteenth-Century Poetry: Work, Play and PoliticsManchester University Press, 2007 - 216 pages This is the first modern critical study of Thomas Hood, the popular and influential 19th century poet, editor, cartoonist, and voice of social protest. Acclaimed by Dickens, the Brownings, and the Rossettis, Hood's quirky, diverse output between 1820 and 1845 offers fascinating insights for Romanticists and Victorianists alike. Sara Lodge's book explores the relationship between Hood's playfulness, liberal politics, and contemporary cultural debate about labor and recreation, literary materiality, and urban consumption. Each chapter examines something distinctive of interdisciplinary interest, including: the early 19th century print culture into which Hood was born; the traditional, urban, and political ramifications of the grotesque art and literature aesthetic; the cultural politics of Hood's trademark puns; theatre, leisure, and the "labor question." |
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Page 11
... never in Dickens's writing be anything other than a figure of fun - failing , unlike the actors , to embrace the shared per- formative interaction that constitutes ' reading ' , his lone studiousness entails misconstruing not only the ...
... never in Dickens's writing be anything other than a figure of fun - failing , unlike the actors , to embrace the shared per- formative interaction that constitutes ' reading ' , his lone studiousness entails misconstruing not only the ...
Page 44
... never been vainer of any verses ' that of his part in the comic ballad ' Faithless Sally Brown ' : - - Dr. Watts , amongst evangelical muses , has an enviable renown and Campbell's Ballads enjoy a snug genteel popularity . Sally Brown ...
... never been vainer of any verses ' that of his part in the comic ballad ' Faithless Sally Brown ' : - - Dr. Watts , amongst evangelical muses , has an enviable renown and Campbell's Ballads enjoy a snug genteel popularity . Sally Brown ...
Page 86
... never spoken with her and that she is completely unaware of him . The window through which he looks might as well be the box of a theatre . Indeed , he com- plains that he ' dodges her at the play ' but that , alas , ' at private ...
... never spoken with her and that she is completely unaware of him . The window through which he looks might as well be the box of a theatre . Indeed , he com- plains that he ' dodges her at the play ' but that , alas , ' at private ...
Table des matières
print dissent and the social society | 16 |
at the London Magazine and after | 39 |
the audience as subject | 73 |
Droits d'auteur | |
4 autres sections non affichées
Autres éditions - Tout afficher
Thomas Hood and Nineteenth-Century Poetry: Work, Play and Politics Sara Lodge Aucun aperçu disponible - 2007 |
Thomas Hood and Nineteenth-Century Poetry: Work, Play, and Politics Sara Lodge Aucun aperçu disponible - 2013 |
Expressions et termes fréquents
advertisement animal audience Ballad become body body-snatchers Byron century Charles Lamb Cockney comedy Comic Annual London commercial common context contributors critical critique culture death Dickens Dickens's dramatic monologue Dream early Eugene Aram figure genre George Cruikshank Glasite grotesque grotesque art grotesquerie Hazlitt Hood's comic Hood's poems Hood's poetry Hood's punning Hood's writing human illustration imagery John Clare John Hamilton Reynolds joke Joseph Grimaldi Keats Keats's kind labour Lamb's language letter Lion's Head literal literary literature London Magazine Lycus Mermaid Miss Kilmansegg nineteenth nineteenth-century Odes and Addresses Oxford parody performance period Peter play pleasure poet poetic political popular production prose published reader reading repressed reprinted Romantic Sally Brown sketch social Society Song Sonnet suggests tesque theatre theatrical Thomas Griffiths Wainewright Thomas Hood tion traditional trope University Press verbal Vernor Victorian visual voice vols London W.H. Auden Whims and Oddities William words Wordsworth Workhouse