A covering stepping painfully and slow, For Helon was a leper. Day was breaking, When at the altar of the temple stood The holy priest of God. The incense lamp Died in the distant aisles, and he rose up, Struggling with weakness; and bowed down his head Unto the sprinkled ashes, and put off His costly raiment for the leper's garb, And with the sackcloth round him, and his lip Hid in the loathsome covering, stood still, Waiting to hear his doom: "Depart! depart, O child Of Israel, from the temple of thy God! For he has smote thee with his chastening rod, And to the desert wild, From all thou lov'st, away thy feet must flee, "Depart and come not near The busy mart, the crowded city more; Voices that call thee in the way; and fly "Wet not thy burning lip In streams that to a human dwelling glide; Nor rest thee where the covert fountains hide; Nor kneel thee down to dip The water where the pilgrim bends to drink, "And pass thou not between The weary traveler and the cooling breeze; Nor milk the goat that browseth on the plain, "And now depart! and when Thy heart is heavy, and thine eyes are dim, Selected thee to feel his chastening rod: And he went forth,- alone! Not one of all It was noon, And Helon knelt beside a stagnant pool In the lone wilderness, and bathed his brow, Hot with the burning leprosy, and touched The loathsome water to his fevered lips, Praying he might be so blest,― to die! Footsteps approached, and with no strength to flee, He drew the covering closer on his lip, Crying, "Unclean! unclean!" and in the folds Of the coarse sackcloth, shrouding up his face, He fell upon the earth till they should pass. Nearer the stranger came, and bending o'er The leper's prostrate form, pronounced his name, As if his heart was moved, and, stooping down, And laid it on his brow, and said, "Be clean!" CHAPTER II QUALITY Quality is the kind or character of sound, - the purity or impurity of voice. This vocal element is easily recognized in various voices and is peculiar to each individual. We soon learn to know a person by the sound of his voice. A child's voice, a woman's voice, a man's voice, or the voice of a dog, a horse, or a song bird are essentially different in Quality because of the size and shape of the vocal organs of each. Our states of mind and feeling are shown in these Qualities. If we say "Good morning," in a pleasant, happy frame of mind; then utter the words, "Oh! I'm so tired,” in a weary, languid manner; then give the words, "I hate you!" in an angry mood; then whisper the secret injunction, "Boys, be still"; and lastly, if we scream, under the influence of fright or terror, we easily recognize different Qualities of voice. A distinguishing characteristic of each Quality is its resonance, which is the strengthening or reënforcing of vibrations in the cavities of the head, throat, and chest. Repeat the words of Darius Green, "The birds can fly and why can't I?" in a nasal, twanging tone; then utter in a peaceful, tranquil manner, "How sweet the moonlight sleeps upon this bank"; then give in a bold, patriotic way the sentence, "Thou too sail on, O Ship of State! Sail on, O Union, strong and great!"; and lastly, speak in a deep, hollow, sepulchral tone the words "'Tis midnight's holy hour"; and we clearly detect a deepening of the resonance from the first to the last quotation. It will be seen, then, that we have the power to change resonance at will, and, by this process, change the Quality of voice in a natural and effective way. This may be likened to the stops of the pipe organ, by which the musician changes the Quality of the tone, though the key, time, and melody remain unchanged The reader, like the organist, must "know his stops." Every person at any period of life has a normal, predominant Quality of voice and seven other distinct Qualities in various stages of development; these are technically called, (1) Normal, (2) Orotund, (3) Oral, (4) Nasal, (5) Falsetto, (6) Guttural, (7) Pectoral, and (8) Aspirate. Relation to Man's Triune Nature. We have seen that Quality, broadly speaking, represents the Emotive nature of man; but a closer analysis reveals the fact that each Quality responds more especially to some one NOTE. The Qualities of voice are no more difficult to learn nor less practical in application than the essential elements of any other science prescribed in a curriculum. In fact, it has been shown that every student is already in possession of them, but, like all other powers, they need cultivation and intelligent application so that the speaker may use them correctly, effectively, and unconsciously while speaking. The teacher will understand that any given Quality of one voice may be quite unlike that of another voice; the care will be to have each student make his own Qualities at their best. The secret of successful use of these and all elements of expression lies in the practice of them with a full realization of the sentiments or emotions they imply. SECTION I. NORMAL QUALITY The Normal is the ordinary, predominant Quality of voice peculiar to each individual. It is the basis of all the other Qualities, each of which is some modification of or variation from the Normal. A speaker's Normal may be very harsh and |