Dwight's Journal of Music, Volumes 11-12John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 47
... voice was evidently extensive , and , moreover , even throughout , without any breaks in the high or low places ; the notes all came from the chest , the intonation was faultless , and the tender emotions of earlier scenes were ...
... voice was evidently extensive , and , moreover , even throughout , without any breaks in the high or low places ; the notes all came from the chest , the intonation was faultless , and the tender emotions of earlier scenes were ...
Pagina 66
... voice , which is stronger than one at first gives it credit for , because it is so sweet ; a voice out of which one would think almost anything might be made , with talent and right culture . But so far it seems a voice , and no- thing ...
... voice , which is stronger than one at first gives it credit for , because it is so sweet ; a voice out of which one would think almost anything might be made , with talent and right culture . But so far it seems a voice , and no- thing ...
Pagina 149
... voice , to represent the nobility , which even musically distinguishes the part of Mergy . Herr SALOMON made the part of Bramarbas de Com- minge effective ; Frl . TRIETSCII distinguished herself in her part of Queen , mostly written ...
... voice , to represent the nobility , which even musically distinguishes the part of Mergy . Herr SALOMON made the part of Bramarbas de Com- minge effective ; Frl . TRIETSCII distinguished herself in her part of Queen , mostly written ...
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