Bell's British Theatre: Consisting of the Most Esteemed English Plays, Volume 28 |
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Pagina 55
SCENE I , Lycon enters , solus . Lycon . This may gain time ' till all my wealth's
embark'd , To ward my foes revenge , and finish mine , To shake that empire
which I can't possess . But then the Queen - she dies — why let her die ; Let wide
...
SCENE I , Lycon enters , solus . Lycon . This may gain time ' till all my wealth's
embark'd , To ward my foes revenge , and finish mine , To shake that empire
which I can't possess . But then the Queen - she dies — why let her die ; Let wide
...
Pagina 64
Why must I speak ? why must unwilling Lycon Accuse the prince of impious love
to Phædra ? Thes . Love to his mother ! To the wife of Theseus ! Lyc . Yes , at the
moment first he view'd her eyes , Ev'n at the altar , when you join'd your hands ...
Why must I speak ? why must unwilling Lycon Accuse the prince of impious love
to Phædra ? Thes . Love to his mother ! To the wife of Theseus ! Lyc . Yes , at the
moment first he view'd her eyes , Ev'n at the altar , when you join'd your hands ...
Pagina 76
ACT V. SCENE I. PHÆDRA and LYCON enter . . Lycon . Accuse yourself ! On my
knees I beg you , By all the gods , recal the fatal message . Heav'ns ! will you
stand the dreaded rage of Theseus ; And brand your fame , and work your own ...
ACT V. SCENE I. PHÆDRA and LYCON enter . . Lycon . Accuse yourself ! On my
knees I beg you , By all the gods , recal the fatal message . Heav'ns ! will you
stand the dreaded rage of Theseus ; And brand your fame , and work your own ...
Pagina 84
O impious Lycon , In what a hell of woes thy arts have plung'd me ! Thes . Lycon !
Here , guards . - 0 most abandon'd villain ! Secure him , seize him , drag him
piece - meal hither . Guards enter . Guard . Who has , my Lord , incurr'd your high
...
O impious Lycon , In what a hell of woes thy arts have plung'd me ! Thes . Lycon !
Here , guards . - 0 most abandon'd villain ! Secure him , seize him , drag him
piece - meal hither . Guards enter . Guard . Who has , my Lord , incurr'd your high
...
Pagina 88
What , Lycon here ? ( ) execrable villain ! Then am I still on earth ? By hell I am , A
fury now , a scourge preserv'd for Lycon . See , the just beings offer to my
vengeance That impious slave . Now , Lycon , for revenge : Thanks , Heaven , ' tis
here ...
What , Lycon here ? ( ) execrable villain ! Then am I still on earth ? By hell I am , A
fury now , a scourge preserv'd for Lycon . See , the just beings offer to my
vengeance That impious slave . Now , Lycon , for revenge : Thanks , Heaven , ' tis
here ...
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Overige edities - Alles weergeven
Bell's British Theatre, Consisting of the Most Esteemed English Plays John Bell Geen voorbeeld beschikbaar - 2016 |
Bell's British Theatre, Consisting of the Most Esteemed English Plays John Bell Geen voorbeeld beschikbaar - 2016 |
Bell's British Theatre: Consisting of the Most Esteemed English Plays John Bell Geen voorbeeld beschikbaar - 2016 |
Veelvoorkomende woorden en zinsdelen
Abbot arms believe Bell Bless blood Bluff breast Brisk Care Careless charms comes confess crimes Cynthia dare dear death devil Enter Exit eyes face faith fate father fear Fond fool give gods guilt hand happy hast hath head hear heart Heaven Henry Hippolitus hold honour hope hour I'll Ismena kind King kiss Lady F laugh leave letter live look lord lost Lucy Lycon madam marry Mask matter mean meet Mellefont mind nature never night once pains passion peace person Phædra pity poor Queen rage Rosa SCENE Sharp sight Sir Paul soul speak stay sure talk tears tell thee Theseus thing thou thought true turn virtue wife wish woman wretched wrongs youth
Populaire passages
Pagina 43 - I know love is powerful, and nobody can help his passion. 'Tis not your fault; nor, I swear, it is not mine. How can I help it, if I have charms? And how can you help it, if you are made a captive? I swear it is pity it should be a fault. But my honour, — well, but your honour, too — but the sin! — well, but the necessity — O Lord, here's somebody coming, I dare not stay.
Pagina x - Though with some short parenthesis between, High on the throne of wit, and seated there. Not mine — that's little — but thy laurel wear. Thy first attempt an early promise made: That early promise this has more than paid. So bold, yet so judiciously you dare, That your least praise is to be regular.
Pagina xi - I live a rent-charge on his providence: But you, whom every muse and grace adorn, Whom I foresee to better fortune born, Be kind to my remains; and oh defend, Against your judgment, your departed friend! Let not the insulting foe my fame pursue; But shade those laurels which descend to you: And take for tribute what these lines express; You merit more; nor could my love do less.
Pagina 66 - Ay, charioteer does better. Into the dairy he descends, And there his whipping and his driving ends; There he's secure from danger of a bilk, His fare is paid him, and he sets in milk. For Susan you know, is Thetis, and so BRISK. Incomparable well and proper, egad — but I have one exception to make — don't you think bilk — (I know it's good rhyme) — but don't you think BILK and FARE too like a hackney coachman?
Pagina 65 - Then, I don't say the sun shines all the day, but that he peeps now and then ; yet he does shine all the day too, you know, though we don't see him.
Pagina 19 - I saw her melted into tears and hushed into a sigh. It was long before either of us spoke, passion had tied her tongue, and amazement mine. In short, the consequence was thus: she omitted nothing that the most violent love could urge or tender words express, which when she saw had no effect, but still I pleaded honour and nearness of blood to my uncle, then came the storm...
Pagina 7 - ... her fondness and impatience of his absence by choosing a lover as like him as she can, and what is unlike she may help out with her own fancy.
Pagina x - So much the sweetness of your manners move, We cannot envy you, because we love. Fabius might joy in Scipio, when he saw A beardless Consul made against the law, And join his suffrage to the votes of Rome, Though he with Hannibal was overcome.
Pagina 38 - Tis my honour that is concerned, and the violation was intended to me. Your honour! You have none but what is in my keeping, and I can dispose of it when I please: therefore don't provoke me.
Pagina 57 - BARNABY.] and, in the mean time, I will reason with myself Tell me, Isaac, why art thee jealous ? Why art thee distrustful of the wife of thy bosom ? — Because she is young and vigorous, and I am old and impotent — Then why didst thee marry, Isaac ? — Because she. was beautiful and tempting, and because I was obstinate and doting ; so that my inclination was, and is still, greater than my power And will not that which tempted thee also tempt others, who will tempt her, Isaac?
Bibliografische gegevens
| Titel | Bell's British Theatre: Consisting of the Most Esteemed English Plays, Volume 28 Bell's British Theatre: Consisting of the Most Esteemed English Plays, John Bell |
| Auteur | John Bell |
| samengesteld door | John Bell |
| Uitgever | and under the direction of George Cawthorn, British Library, Strand, 1797 |
| Oorspronkelijk uit | de New York Public Library |
| Gedigitaliseerd | 4 jan 2007 |
| Citatie exporteren | BiBTeX EndNote RefMan |