INDEX

Addison, 31

Eschylus, 116

"Antagonism," 178

Arabian Nights, The, 114

Arnold, Matthew, 12, 30, 32, 55,

120

Art, decorative, 33

as expression of individuality,
29ff., 90f., 109, 118, 171, 174,
183

form and content in, 37ff.
as intuition-expression, 23, 27ff.,
118, 121, 137ff., 146ff., 160f.,
167ff., 172ff., 236ff., 246
and myth, 50, 52ff., 238
as passion, 27ff., 115, 150, 169
and philosophy, 50, 83, 110ff.,
148ff., 177ff., 233

and the practical activity, 32ff.,
192, 237, 242ff., 253ff.
unity in, 35f., 92, 107ff., 135

see also Communication; Ex-
ternalization;
Imitation;

Inspiration; Romanticism;
Technique

Association of ideas, 126

Beatty, W., 126ff.

Berkeley, 193f., 211n.

Blake, chap. iii passim, and 11ff.,

51, 155n., 197

Boehme, 12, 81ff., 96

Bowles, 44ff., 79

Brooke, Rupert, 25

Browne, Sir Thomas, 120

Burnet, J., 209

Butler, Samuel, 174

Byron, 12, 30, 44ff., 243

Cambridge Platonists, 81
Campbell, 45

Carducci, 29, 33

Carlyle, 4, 6, 13, 34

Carritt, E. F., 246

Classicism, lf., 6, 116, 180ff.
Coleridge, chap. iv passim, and 4, 6,

11f., 50, 53, 206, 210, 244, 257
and De Quincey, 164f., 171, 173
and Keats, 235

and Shelley, 183

and Wordsworth, chap. v pas-
віт

Collingwood, R. G., 242n., 250n.
Collins, 9

Colvin, Sir Sidney, 222, 239
Communication, chap. ix passim,
and 157n.

Coterie, 39
Cowley, 71

Criticism, Coleridge's, 110ff.,114ff.,

117

Croce's view of, 15, 242f., 245ff.
De Quincey's, 171, 174f., 178f.,
182

Keats's, 235
philosophical, 16
Shelley's, 216, 218f.

Croce, chap. ii and chap. ix passim,
and lf., 12, 52, 58f., 61, 63,
65f., 105, 110, 118, 121, 139,
147, 149n., 192n., 220n., 221,
237, 240

Dante, 53

De Quincey, chap. vi passim, and
4, 12, 145, 247
De Sanctis, 34, 39, 43

Pope, 48, 174, 258

Post-impressionism, 42, 64f.

Proclus, 81f.

Pythagoras, 81

Radcliffe, Mrs., 184

Realism, 124, 157

Reynolds, Sir Joshua, 48, 59
Richards, I. A., 247n.
Rivers, W. H. R., 252n.
Robinson, Crabb, 59n., 77, 81
Rodin, 63

Romanticism, chap. i passim
attitude to Nature, 20, 43ff., 59,
83ff.

in art, 16, 24, 27f., 116f., 258
in Blake, 53

in Coleridge, 73, 75, 80, 85, 104,
116

in De Quincey, 162, 165, 171,
180ff.

in Keats, 222ff., 228, 235

in Shelley, 184, 195, 218

in Tennyson, 6

in Wordsworth, 123, 148f.

mystical, 13, 23f., 240, and see
Mysticism

Rousseau, 5, 10, 53, 135

Saint-Evrémond, 6, 74

Schelling, 33, 82, 94ff., 104ff.,

105n.

Schlegel, 106, 121

Schopenhauer, 33

Science, natural, 19
Severn, Joseph, 235

Shakespeare, 32, 109ff., 113, 116,

120, 150, 182
Shawcross, J., 91n., 96n., 98n.
Shelley, chap. vii passim, and 2,
4f., 12f., 31, 44, 235, 243

Sophocles, 117

Southey, 80, 85

Spenser, 53ff.

Spinoza, 12, 81, 102, 126, 129, 195,

199

Squire, J. C., 2
Steele, 31
Swedenborg, 12
Swinburne, 47

Sydney, Sir Philip, 216f., 238
Symbolism, 88, 103, 106, 176f.
Symons, Arthur, 63

Taylor, Thomas, 73, 81
Technique, 37f.
Temple, Wm., 211
Tennyson, 6f., 13, 120
Thompson, Francis, 40f.
Transcendence,

82ff., 108, 146,
183, 226f., 231, and see Im-

manence

Trelawny, 184

Turner, 47

Unconscious, The, 20, 106f., 120,
253

Van Gogh, 47, 65

Wordsworth, Dorothy, 123, 128
William, chap. v passim, and 3,
5, 10, 12, 50, 111, 115, 190,
243f.

and Blake, 60

and Coleridge, 75, 88f., 111,
113f., 120

and De Quincey, 164, 173f.,

181

and Keats, 226ff., 230, 235,
239