Dwight's Journal of Music, Volumes 21-22John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 12
... Italian Opera was introduced into England at the beginning of the eighteenth century , the first work performed entirely in the Italian language being ' Almahide , ' of which the music is attributed to Buo- noncini , and which was ...
... Italian Opera was introduced into England at the beginning of the eighteenth century , the first work performed entirely in the Italian language being ' Almahide , ' of which the music is attributed to Buo- noncini , and which was ...
Pagina 205
... Italian text is never- theless conveniently " free " -as though to make it serve a more comprehensive purpose than that for which it was originally and ostensibly written ( some years since ) -viz . , " the celebration of the opening of ...
... Italian text is never- theless conveniently " free " -as though to make it serve a more comprehensive purpose than that for which it was originally and ostensibly written ( some years since ) -viz . , " the celebration of the opening of ...
Pagina 357
... Italian ladies failed to give . Rotter has taught us that more beautiful effects can be produced by subduing the voice , than by scream- in the Verdi style . The choristers have shown how badly the Italians sang , by themselves singing ...
... Italian ladies failed to give . Rotter has taught us that more beautiful effects can be produced by subduing the voice , than by scream- in the Verdi style . The choristers have shown how badly the Italians sang , by themselves singing ...
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accompaniment admirable appeared artist audience Bach bass beautiful Beethoven better Boston brilliant charming Cherubini choir choral chorus composer composition concert contralto Crystal Palace Don Giovanni dramatic duet Dwight's Journal effect excellent execution Exhibition feeling Ferdinand Hiller Festival Fierabras French Fugue genius German give grand Hall Handel Haydn hear heard heart Herr honor instruments Italian Opera ladies London Majesty's Theatre Masaniello Mass melody Mendelssohn ment Meyerbeer minor Miss Mlle Mozart musician never night oratorio orchestra organ organist overture Paris Patti performance Philharmonic pianist piano pianoforte piece played praise produced programme Quartet Robert le Diable Rossini sang scene Schubert season Signor Sims Reeves singers singing solo Sonata song soprano soul sound spirit style success sung Symphony talent Tannhäuser tenor theatre thing tion Titiens tone Trio tune Vienna violin vocal voice whole words young