Romanticism and Women Poets: Opening the Doors of ReceptionUniversity Press of Kentucky, 1999 - 294 pagina's A good ghost story can make your hair stand on end, your palms sweat, and your heart race. The bone-chilling collection Tales of Kentucky Ghosts presents more than 250 stories that do just that. In his new book, William Lynwood Montell has assembled an entertaining and diverse array of tales from across the commonwealth that will keep you checking under the bed every night. The first-person accounts in this collection showcase folklore that Montell has drawn from archives, family stories, and oral traditions throughout Kentucky. The stories include that of the ghost bride of Laurel County, who appears each year on the anniversary of her wedding day; the tale of the murdered worker who haunts the Simpson County home of his killer and former employer; and the account of the lost mandolin that plays itself in a house in Graves County. These and many other chilling stories haunt the pages of Tales of Kentucky Ghosts. In the tradition of MontellÕs previous Kentucky ghost books (Ghosts across Kentucky and Haunted Houses and Family Ghosts of Kentucky), Tales of Kentucky Ghosts brings together a variety of terrifying narratives that not only entertain and frighten but also serve as a unique record of KentuckyÕs rich heritage of storytelling. |
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Pagina 3
... gender complementary feminist poetics , " which disregard the violence that women may themselves perform — or wish to perform . Violence , as Craciun re - views it , proves not to be the exclusive masculine province it is often ...
... gender complementary feminist poetics , " which disregard the violence that women may themselves perform — or wish to perform . Violence , as Craciun re - views it , proves not to be the exclusive masculine province it is often ...
Pagina 5
... gender in particular ) that construct our sense of value , and on keeping open the ways in which we think about historical and theoreti- cal conditions that shape reception and reputation . That is why we have adapted for our title the ...
... gender in particular ) that construct our sense of value , and on keeping open the ways in which we think about historical and theoreti- cal conditions that shape reception and reputation . That is why we have adapted for our title the ...
Pagina 10
... gender and gendered be- havior than her contemporary critics seem to have been willing to acknowledge . The final essay examines a poet whose place in the literary history of the later Romantic period remains problematic . Tricia ...
... gender and gendered be- havior than her contemporary critics seem to have been willing to acknowledge . The final essay examines a poet whose place in the literary history of the later Romantic period remains problematic . Tricia ...
Pagina 29
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Pagina 30
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Inhoudsopgave
What the Evidence Suggests | 15 |
I | 23 |
British Poetry by Women 18021812 | 25 |
Mary Lamb Femme Fatale | 46 |
Amelia Opies Antislavery Poetics | 71 |
II | 99 |
Charlotte Smith and the Lyrics Audience | 101 |
Acting Readers Theater and Oratory in Frances Anne Kembles Writing | 125 |
III | 163 |
The Posthumous Reception of Anna Letitia Barbauld | 165 |
Caroline Bowles Southey and the Vicissitudes of Poetic Reputation | 192 |
Felicia Hemans and the Revolving Doors of Reception | 214 |
Letitia Landon and the Poetess Tradition | 242 |
Works Cited | 260 |
Contributors | 285 |
287 | |
Overige edities - Alles bekijken
Romanticism and Women Poets: Opening the Doors of Reception Harriet Kramer Linkin,Stephen C. Behrendt Gedeeltelijke weergave - 2014 |
Romanticism and Women Poets: Opening the Doors of Reception Harriet Kramer Linkin,Stephen C. Behrendt Gedeeltelijke weergave - 2021 |
Romanticism and Women Poets: Opening the Doors of Reception Harriet Kramer Linkin,Stephen C. Behrendt Geen voorbeeld beschikbaar - 1999 |
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