The music of the eye; or, Essays on the principles of the beauty and perfection of architecture, in the three first chapters of VitruviusW. Walter; and others, 1831 - 262 pagina's |
Vanuit het boek
Resultaten 1-5 van 36
Pagina vii
... harmony of sounds ; why may not , therefore , the art which treats of the harmony of visible objects , be called the " Music of the Eye ? " The resemblance of Music to Architecture is traced in these essays , in essay i . sect . 3 , and ...
... harmony of sounds ; why may not , therefore , the art which treats of the harmony of visible objects , be called the " Music of the Eye ? " The resemblance of Music to Architecture is traced in these essays , in essay i . sect . 3 , and ...
Pagina xix
... Harmony and con- trast . ( 54. ) The great secret in composition . ( 55. ) Proportion of a street . ( 56. ) Leith Walk , Edinburgh : Regent Street , London . ( 57. ) Grounds round a house . ( 58. ) Nature : uniformity not the beauty of ...
... Harmony and con- trast . ( 54. ) The great secret in composition . ( 55. ) Proportion of a street . ( 56. ) Leith Walk , Edinburgh : Regent Street , London . ( 57. ) Grounds round a house . ( 58. ) Nature : uniformity not the beauty of ...
Pagina xx
... harmony . ( 3. ) Character almost instinctive , ( 4. ) al- lowed by others . The decor of Vitruvius . ( 5. ) His practical explanation ; statio , consuetudo , natura . ( 6. ) That decor means character in particular . ( 7. ) Oeμatioμoç ...
... harmony . ( 3. ) Character almost instinctive , ( 4. ) al- lowed by others . The decor of Vitruvius . ( 5. ) His practical explanation ; statio , consuetudo , natura . ( 6. ) That decor means character in particular . ( 7. ) Oeμatioμoç ...
Pagina xxi
... harmony ( 89. ) aids the effect of greatness . ( 90 ) Fenes- tral scheme . ( 91. ) Greatness combined with other characters . ( 92. ) Boldness arises from projecture . ( 93. ) Projecture the soul of the art . ( 94. ) Its importance ...
... harmony ( 89. ) aids the effect of greatness . ( 90 ) Fenes- tral scheme . ( 91. ) Greatness combined with other characters . ( 92. ) Boldness arises from projecture . ( 93. ) Projecture the soul of the art . ( 94. ) Its importance ...
Pagina 29
... harmony of forms , the combination of different curves , the general and particular proportion , the prominence , relief , style , and character of the features , the position and general airs of the whole , and ( in a living sub- ject ) ...
... harmony of forms , the combination of different curves , the general and particular proportion , the prominence , relief , style , and character of the features , the position and general airs of the whole , and ( in a living sub- ject ) ...
Overige edities - Alles bekijken
The Music of the Eye: Or, Essays On the Principles of the Beauty and ... Peter Legh Geen voorbeeld beschikbaar - 2023 |
The Music of the Eye: Or, Essays on the Principles of the Beauty and ... Peter Legh Geen voorbeeld beschikbaar - 2013 |
The Music of the Eye: Or, Essays on the Principles of the Beauty and ... Peter Legh Geen voorbeeld beschikbaar - 2015 |
Veelvoorkomende woorden en zinsdelen
ancient appear appendages arch Archi archi-columnal Architect Architecture architrave arguments arises beauty boldness buttress character ciples combined complex distribution composition confusion consider conspicuous contrast Corinthian order cornice corona curved moulding cyma diameter diathesis of form dignity display dispositio distinct distributio Doric order effect elegant epistyle eurithm excellencies exhibit exist façade figures forms in Architecture foundation frieze future essay give Gothic Gothic Architecture Grecian Greeks harmony idea imitation introduced Ionic kind of diathesis ment mind mode modern module monotrabeal nature necessary object observed occur orna ornament ovolo Parthenon perfect perhaps pillars principal shelter principles produce proportion propriety Prostyle racter ražic Roman scamilli scheme sculpture sect sectional style seems simple simplicity specimens straight style of building sublime symmetric diathesis symmetry taste taxis tecture temple thing tion trabe-columnal trabeation trast triglyphs ture uniformity useless utility variety Vitru Vitruvian Vitruvius Vitruvius's whole word
Populaire passages
Pagina 58 - ... it was shewed thee in the mount, so shall they make it. 9 And thou shalt make the court of the tabernacle: for the south side southward there shall be hangings for the court of fine twined linen of an hundred cubits long for one side: 10 And the twenty pillars thereof and their twenty sockets shall be of brass; the hooks of the pillars and their fillets shall be of silver.
Pagina x - And they shall build houses, and inhabit them; and they shall plant vineyards, and eat the fruit of them. They shall not build, and another inhabit; they shall not plant, and another eat: for as the days of a tree are the days of my people, and mine elect shall long enjoy the work of their hands.
Pagina x - No more shall nation against nation rise, Nor ardent warriors meet with hateful eyes, Nor fields with gleaming steel be covered o'er, The brazen trumpets kindle rage no more ; But useless lances into scythes shall bend, And the broad falchion in a ploughshare end.
Pagina x - ... nation shall not lift up sword against nation, neither shall they learn war any more; (Isaiah ii.
Pagina 47 - For, on that principle, the wedge-like snout of a swine, with its tough cartilage at the end, the little sunk eyes, and the whole make of the head, so well adapted to its offices of digging and rooting, would be extremely beautiful.
Pagina 8 - that one who could not design a little, would never make an honest man." A foolish observation enough, and which, if he had not left better proofs, would give one as little opinion of the judgment of the speaker, as it does of that of the relator. The earl seems to have had in his service another painter, one Harrison, now only known to us by a...
Pagina 128 - The way (says he) of composing pleasing " forms, is to be accomplished by making choice of " variety of lines, as to their shapes and dimensions ; " and then again by varying their situations with each " other, by all the different ways that can be conceived, " and at the same time (if a solid figure be the subject " of the composition) the contents or space that is to " be inclosed within those lines, must be duly con" sidered and varied too, as much as possible with
Pagina 182 - ... with it; and the systematic regularity of the whole discernible from every point of sight : but when, according to the modern fashion, all around is levelled and thrown open ; and the poor square edifice exposed alone, or with the accompaniment only of its regular wings and portico, amidst spacious lawns interspersed with irregular clumps or masses of wood, and sheets of water, I do not know a more melancholy object...
Pagina 128 - ... arises, in every case, from its correspondence to the nature of that emotion which this expression is fitted to excite. These conclusions seem to lead to a very different rule for the composition of beautiful forms, from that which Mr. Hogarth has laid down in his analysis of beauty. " The way (says he) of composing pleasing " forms, is to be accomplished by making choice of va...
Pagina 91 - ... The sublime part that I so much esteem, and of which I have begun to speak, is a real Je ne s$ai quoi, or an unaccountable something to most people, and it is the most important part to all the connoisseurs, I shall call it an harmonious propriety, which is a touching or moving unity, or a pathetick agreement or concord, not only of each member to its body, but also of each part to the member of which it is a part...