Flourish of Cornets. Enter the Prince of Arragon, PORTIA, and their Trains. Por. Behold, there stand the caskets, noble prince: If you choose that wherein I am contain'd, Ar. I am enjoin'd by oath to observe three things: First, never to unfold to any one Which casket 'twas I chose; next, if I fail Por. To these injunctions every one doth swear, That comes to hazard for my worthless self. Ar. And so have I address'd me: Fortune now To my heart's hope!-Gold, silver, and base lead. Who chooseth me, must give and hazard all he hath: You shall look fairer, ere I give, or hazard. What says the golden chest? ha! let me see:— Who chooseth me, shall gain what many men desire. What many men desire.-That many may be meant By the fool multitude, that choose by show, Not learning more than the fond eye doth teach; Which pries not to the interior, but, like the mart let, Builds in the weather on the outward wall, 6 Even in the force and road of casualty. I will not choose what many men desire, 7 And so have I address'd me:] To address is to prepare. jump-] i. e. agree with. Why, then to thee, thou silver treasure-house; Without the stamp of merit! Let none presume O, that estates, degrees, and offices, Were not deriv'd corruptly! and that clear honour Pick'd from the chaff and ruin of the times, Por. Too long a pause for that which ⚫ there. you find Ar. What's here? the portrait of a blinking idiot, Presenting me a schedule? I will read it. How much unlike art thou to Portia? How much unlike my hopes, and my deservings? Who chooseth me, shall have as much as he deserves. Did I deserve no more than a fool's head? Is that my prize? are my deserts no better? Por. To offend, and judge, are distinct offices, And of opposed natures, • How much low peasantry would then be glean'd From the true seed of honour?] The meaning is, How much meanness would be found among the great, and how much greatness among the mean, Still more fool I shall appear By the time I linger here: With one fool's head I came to woo, But I go away with two. Sweet, adieu! I'll keep my oath, Patiently to bear my wroth. [Exeunt Arragon, and Train. Por. Thus hath the candle sing'd the moth. Por. Come, draw the curtain, Nerissa. Enter a Servant. Serv. Where is my lady? Por. Here; what would my lord? Serv. Madam, there is alighted at your gate A young Venetian, one that comes before To signify the approaching of his lord: From whom he bringeth sensible regreets;' I wis,] I know. Wissen, German. To wit, besides commends, and courteous breath, A day in April never came so sweet, Por. No more, I pray thee; I am half afeard, [Exeunt. ACT III. SCENE I. Venice. A Street. Enter SALANIO and SALARINO. Satan. Now, what news on the Rialto? Salar. Why, yet it lives there uncheck'd, that Antonio hath a ship of rich lading wreck'd on the narrow seas; the Goodwins, I think they call the place; a very dangerous flat, and fatal, where the carcases of many a tall ship lie buried, as they say, if my gossip report be an honest woman of her word. Salan. I would she were as lying a gossip in that as ever knapp'd ginger, or made her neighbours believe she wept for the death of a third husband: But it is true, without any slips of prolixity, or crossing the plain high-way of talk,-that the good Antonio, the honest Antonio,--O that I had a title good enough to keep his name company Salar. Come, the full stop. Salan, Ha,-what say'st thou?-Why the end is, he hath lost a ship, Salar, I would it might prove the end of his losses! Salan. Let me say amen betimes, lest the devil cross my prayer; for here he comes in the likeness of a Jew. Enter SHYLOCK. How now, Shylock? what news among the merchants? Shy. You knew, none so well, none so well as you, of my daughter's flight. Salar. That's certain; I, for my part, knew the tailor that made the wings she flew withal. Salan. And Shylock, for his own part, knew the bird was fledg'd; and then it is the complexion of them all to leave the dam. Shy. She is damn'd for it. Salar. That's certain, if the devil may be her judge. Shy. My own flesh and blood to rebel! Salan. Out upon it, old carrion! rebels it at these years? Shy. I say, my daughter is my flesh and blood. Salar. There is more difference between thy flesh and hers, than between jet and ivory; more between your bloods, than there is between red wine and rhenish-But tell us, do you hear whether Antonio have had any loss at sea or no? Shy. There I have another bad match: a bankrupt, a prodigal, who dare scarce show his head on the Rialto;a beggar that used to come so smug upon the mart;-let him look to his bond: he was wont to call me usurer ;-let him look to his bond: he was wont to lend money for a Christian courtesy; -let him look to his bond. |