Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 pagina's |
Vanuit het boek
Resultaten 1-3 van 84
Pagina 474
... write without affectation is to write at random . the contrary , there is nothing that requires more pre- cision , and , if I may so say , purity of expression , than the style I am speaking of . It utterly rejects not only all ...
... write without affectation is to write at random . the contrary , there is nothing that requires more pre- cision , and , if I may so say , purity of expression , than the style I am speaking of . It utterly rejects not only all ...
Pagina 643
... write the name under this criticism , and the best answer to it is that it is true — his pictures always are the ... write a digression . If the reader is not already apprised of it , he will please to take notice that I write this at ...
... write the name under this criticism , and the best answer to it is that it is true — his pictures always are the ... write a digression . If the reader is not already apprised of it , he will please to take notice that I write this at ...
Pagina 720
... writes better in favour of Reform than anybody else ; he used to write better against it . Wherever he is , there is the tug of war , the weight of the argument , the strength of abuse . He is not like a man in danger of being bed - rid ...
... writes better in favour of Reform than anybody else ; he used to write better against it . Wherever he is , there is the tug of war , the weight of the argument , the strength of abuse . He is not like a man in danger of being bed - rid ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
35 andere gedeelten niet getoond
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write