Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 pagina's |
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Pagina 475
... vulgar dialect or clownish pronunciation . You must steer a middle course . You are tied down to a given and appropriate articulation , which is determined by the habitual associations between sense and sound , and which you can only ...
... vulgar dialect or clownish pronunciation . You must steer a middle course . You are tied down to a given and appropriate articulation , which is determined by the habitual associations between sense and sound , and which you can only ...
Pagina 476
... vulgar , for this reason , that it is of universal force and applicability , and that quaintness and vulgarity arise out of the immediate con- nection of certain words with coarse and disagreeable , or with confined ideas . The last ...
... vulgar , for this reason , that it is of universal force and applicability , and that quaintness and vulgarity arise out of the immediate con- nection of certain words with coarse and disagreeable , or with confined ideas . The last ...
Pagina 698
... vulgar . The question is not whether he brought cer- tain truths equally home to us , but how much nearer he brought them than they were before . In my opinion , he united the two extremes of refinement and strength in a higher degree ...
... vulgar . The question is not whether he brought cer- tain truths equally home to us , but how much nearer he brought them than they were before . In my opinion , he united the two extremes of refinement and strength in a higher degree ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Veelvoorkomende woorden en zinsdelen
abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write