Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 pagina's |
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Pagina 474
... STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there is nothing ...
... STYLE ( WRITTEN AFTER JULY , 1821 ) On IT is not easy to write a familiar style . Many people mistake a familiar for a vulgar style , and suppose that to write without affectation is to write at random . the contrary , there is nothing ...
Pagina 475
... style to express yourself by fixing your thoughts on the subject you have to write about . Any one may mouth out a passage with a theatrical cadence , or get upon stilts to tell his thoughts ; but to write or speak with propriety and ...
... style to express yourself by fixing your thoughts on the subject you have to write about . Any one may mouth out a passage with a theatrical cadence , or get upon stilts to tell his thoughts ; but to write or speak with propriety and ...
Pagina 483
... style halts , totters , is loose , disjointed , and without expressive pauses or rapid movements . The measured cadence and regular sing - song of rhyme or blank verse have destroyed , as it were , their natural ear for the mere ...
... style halts , totters , is loose , disjointed , and without expressive pauses or rapid movements . The measured cadence and regular sing - song of rhyme or blank verse have destroyed , as it were , their natural ear for the mere ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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Veelvoorkomende woorden en zinsdelen
abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write