Selected Essays of William Hazlitt, 1778-1830 |
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Pagina xii
So great did he find this difficulty to be , that he turned at this time away from writing towards painting , and this course was strengthened by the fact that his elder brother John was already established in London as a painter and ...
So great did he find this difficulty to be , that he turned at this time away from writing towards painting , and this course was strengthened by the fact that his elder brother John was already established in London as a painter and ...
Pagina 398
I do not mean to give any preference , but it should seem that the argument which has been sometimes set up , that painting must affect the imagination more strongly , because it represents the image more distinctly , is not well ...
I do not mean to give any preference , but it should seem that the argument which has been sometimes set up , that painting must affect the imagination more strongly , because it represents the image more distinctly , is not well ...
Pagina 661
The ambiguity becomes more striking in painting from the naked figure . If the wonder occasioned by the object is greater , so is the despair of rivalling what we see . The sense of responsibility increases with the hope of creating an ...
The ambiguity becomes more striking in painting from the naked figure . If the wonder occasioned by the object is greater , so is the despair of rivalling what we see . The sense of responsibility increases with the hope of creating an ...
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Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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admiration answer appearance asked beauty become better called character circumstances common conversation death delight effect equally existence expect expression face fancy fear feeling follow French friends genius give greater hand head hear heart hope human idea imagination impression instance interest keep knowledge laugh learned least leave less light live look manner matter means mind nature never object observation once opinion original ourselves pain painting pass passion perhaps person picture play pleasure poet poetry present principle question reason respect round seems sense side sometimes sort sound speak spirit stand striking style supposed talk taste things thought tion true truth turn understanding virtue whole wish write