Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 pagina's |
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Pagina 15
... learned author differs from the learned student in this , that the one transcribes what the other reads . The learned are mere literary drudges . If you set them upon original composition , their heads turn , they don't know where they ...
... learned author differs from the learned student in this , that the one transcribes what the other reads . The learned are mere literary drudges . If you set them upon original composition , their heads turn , they don't know where they ...
Pagina 17
... learned know . He is the most learned man who knows the most of what is farthest removed from common life and actual observation , that is of the least practical utility , and least liable to be brought to the test of experience , and ...
... learned know . He is the most learned man who knows the most of what is farthest removed from common life and actual observation , that is of the least practical utility , and least liable to be brought to the test of experience , and ...
Pagina 19
... learned know nothing of the matter , either in town or country . Above all , the mass of society have common sense , which the learned in all ages want . The vulgar nailed to his books ; and deadened with the sound ON THE IGNORANCE OF ...
... learned know nothing of the matter , either in town or country . Above all , the mass of society have common sense , which the learned in all ages want . The vulgar nailed to his books ; and deadened with the sound ON THE IGNORANCE OF ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write