Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 pagina's |
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Pagina 132
... impressions , whatever the distance of time that parts them , they naturally seem to touch ; and the renewed impression recalls the former one in full force , without distraction or competitor . The taste of barberries , which have hung ...
... impressions , whatever the distance of time that parts them , they naturally seem to touch ; and the renewed impression recalls the former one in full force , without distraction or competitor . The taste of barberries , which have hung ...
Pagina 282
... impression may have been withdrawn ? Is the state of the mind or of the nervous system , and its disposition or indisposition to receive certain impressions from the remains of others still vibrating on it , nothing ? Shall we say that ...
... impression may have been withdrawn ? Is the state of the mind or of the nervous system , and its disposition or indisposition to receive certain impressions from the remains of others still vibrating on it , nothing ? Shall we say that ...
Pagina 610
... impression on the sense , distinct from every other object , and having something divine in it , which the heart owns and the imagination consecrates , the objects in the picture preserve the same impression , absolute , unimpaired ...
... impression on the sense , distinct from every other object , and having something divine in it , which the heart owns and the imagination consecrates , the objects in the picture preserve the same impression , absolute , unimpaired ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write