Selected Essays of William Hazlitt, 1778-1830Random House, 1930 - 807 pagina's |
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Pagina 56
... face does not become an oval one , nor a pug nose a Roman one , with the acquisition of an office , or the addition of a title . So neither is the pert , hard , unfeeling outline of character turned from selfish- ness and cunning to ...
... face does not become an oval one , nor a pug nose a Roman one , with the acquisition of an office , or the addition of a title . So neither is the pert , hard , unfeeling outline of character turned from selfish- ness and cunning to ...
Pagina 620
... face to face . " He understands the texture and meaning of the visible universe , and " sees into the life of things , " not by the help of mechanical instruments , but of the improved exercise of his faculties , and an intimate ...
... face to face . " He understands the texture and meaning of the visible universe , and " sees into the life of things , " not by the help of mechanical instruments , but of the improved exercise of his faculties , and an intimate ...
Pagina 627
... face to face , to be in the same room with their deathless productions , was like breaking some mighty spell - was almost an effect of necromancy ! From that time I lived in a world of pictures . Battles , sieges , speeches in ...
... face to face , to be in the same room with their deathless productions , was like breaking some mighty spell - was almost an effect of necromancy ! From that time I lived in a world of pictures . Battles , sieges , speeches in ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract acquaintance admiration appearance beauty better Brentford character circumstances Coleridge colours common conversation Correggio death delight effect English essays expression face fancy favour favourite feeling French French Revolution genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jem Belcher Jeremy Taylor laugh learned Leigh Hunt less live LONDON MAGAZINE look Lord Lord Byron manner means mind Molière nature never object once opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle reason Rembrandt seems sense sentiment Shakespear shew sort soul sound speak spirit style talk taste things thought tion Titian Tom Jones truth turn understand virtue vulgar William Hazlitt Winterslow wish words write