Selected Essays of William Hazlitt, 1778-1830 |
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Pagina 285
Two circumstances are com- bined in a particular object to produce a given effect : how shall I know which is the true cause , but by finding it in another instance ? But the same effect is produced in a third object , which is without ...
Two circumstances are com- bined in a particular object to produce a given effect : how shall I know which is the true cause , but by finding it in another instance ? But the same effect is produced in a third object , which is without ...
Pagina 290
Acuteness is depth , or sagacity in connecting individual effects with individual causes , or vice versa , as in strata- ... It would always have been one to say that this falling is the effect of a law of nature , or the will of God .
Acuteness is depth , or sagacity in connecting individual effects with individual causes , or vice versa , as in strata- ... It would always have been one to say that this falling is the effect of a law of nature , or the will of God .
Pagina 618
Wilson said , he used to try to paint the effect of the motes dancing in the setting sun . At another time , a friend coming into his painting - room when he was sitting on the ground in a melancholy posture , observed that his picture ...
Wilson said , he used to try to paint the effect of the motes dancing in the setting sun . At another time , a friend coming into his painting - room when he was sitting on the ground in a melancholy posture , observed that his picture ...
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Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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admiration answer appearance asked beauty become better called character circumstances common conversation death delight effect equally existence expect expression face fancy fear feeling follow French friends genius give greater hand head hear heart hope human idea imagination impression instance interest keep knowledge laugh learned least leave less light live look manner matter means mind nature never object observation once opinion original ourselves pain painting pass passion perhaps person picture play pleasure poet poetry present principle question reason respect round seems sense side sometimes sort sound speak spirit stand striking style supposed talk taste things thought tion true truth turn understanding virtue whole wish write