Journal of Beckett Studies, Volume 1,Nummers 1-2John Calder (Publishers) Limited, 1992 |
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Pagina 89
... actor , are , like Stevens's actor and audience , neither subject nor object . They are that doubleness that is one . The Assistant's concern obscures a distinction between character and actor fusion or confusion is pointed . When she ...
... actor , are , like Stevens's actor and audience , neither subject nor object . They are that doubleness that is one . The Assistant's concern obscures a distinction between character and actor fusion or confusion is pointed . When she ...
Pagina 99
... actor's own personal values and his perceptions of the nature of acting in Beckett's work . The focus of the discussion then shifts into the issues arising from the conception and staging of I'll 99 "Going On": An Interview with Barry ...
... actor's own personal values and his perceptions of the nature of acting in Beckett's work . The focus of the discussion then shifts into the issues arising from the conception and staging of I'll 99 "Going On": An Interview with Barry ...
Pagina 100
... actor's own analysis of its technical demands and its intentions as a performance . Eric Prince : Let me begin by asking you about your own history . What took you into acting as a way of life ? And how did you first encounter Beckett's ...
... actor's own analysis of its technical demands and its intentions as a performance . Eric Prince : Let me begin by asking you about your own history . What took you into acting as a way of life ? And how did you first encounter Beckett's ...
Inhoudsopgave
Brief Dream Samuel Beckett 1987 | 3 |
Becketts Poiesis of the World Stephen Barker | 15 |
Totality and Displacement in Becketts Fiction Eyal | 39 |
Copyright | |
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